19th Festival Slowind 2017 – Encyclopedia of Music

Aristic Director: Brice Pauset, France / Germany

Ljubljana, November 25–December 1, 2017

Slovenska filharmonija (Slovenian Philharmonic)/Marjan Kozina Hall

With the kind support of the foundation Ernst von Siemens Musikstiftung

Slowind
Ensemble Contrechamps
Michael Wendeberg – conductor
Slovenian Philharmonic Orchestra
Nina Prešiček – piano
Simon Klavžar – percussion
Vokalni ansambel Antiphonus
Céline Steiner – violin
Brice Pauset – harpsichord
Massimo Pinca – doublebass
Boris Ostan – narrator
Barbara Jernejčič Fürst – mezzo-soprano
Mak Grgić – guitar
Brian Head – guitar
Academic Choir Tone Tomšič of the University of Ljubljana
Jerica Gregorc Bukovec – conductor
Florian Hölscher – piano

 

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1st concert

Saturday, November  25, 2017 at 8.00 p.m., Slovenska filharmonija (Slovenian Philharmonic), Marjan Kozina Hall
Pre-concert talk at 7.00 p.m. with Brice Pauset.

Slowind with guests
Nina Prešiček – piano
Simon Klavžar – percussion
Vocal ensemble Antiphonus
Programme:
COMMON MUSIC MAKING (OR MAYBE NOT)
Céline Steiner (b. 1991): Weiß und leicht (2015) for piccolo, english horn, harp, violin and violoncello
Steven Kazuo Takasugi (b. 1960): Jargon of Nothingness (2002/2003) for oboe, clarinet and electronic amplification and playback
Perotin (1160–1220): Organum a 4 Sederunt Principes for four male voices
Karlheinz Stockhausen (1928–2007): Kontakte (1959–1969) for electronic sounds, piano and percussion 

 

2nd concert

Sunday, November 26, 2017 at 8.00 p.m., Slovenska filharmonija (Slovenian Philharmonic), Marjan Kozina Hall
Pre-concert talk at 7.00 p.m. with Dominique Schafer in Uroš Rojko.

Ensemble Contrechamps
Slowind
Michael Wendeberg – conductor
Programme:
MUSIC AND POETICS
Dominique Schafer (b. 1967): Vers une présence réelle… (2014) – Triple trio for oboe, clarinet (bass clarinet), trumpet, flute, viola, harp, violin, violoncello and piano
Klaus Huber (b. 1924): Lieber spaltet mein Herz II (1993) for alto flute, guitar and percussion
Brice Pauset (b. 1965): Vita Nova (sérénades) (2006) for violin and ensemble
Uroš Rojko (b. 1954): Zvokasok (2017) for wind quintet and ensemble – world premiere, commissioned for the Festival Slowind 2017

 

International workshop

Monday and Wednesday, November 27 and 29, 2017, University of Ljubljana, Faculty of Arts

(TO THINK) ON MUSIC
Lecturers: Brice Pauset (France / Germany), Dominique Schafer (USA / Switzerland), Céline Steiner (Germany)
Organization and direction: prof. Larisa Vrhunc

 

3th concert

Monday, November 27, 2017 at 8.00 p.m., Slovenska filharmonija (Slovenian Philharmonic), Marjan Kozina Hall
Pre-concert talk at 7.00 p.m. with Brice Pauset in Larisa Vrhunc

Slowind
Programme:
MUSIC AND LAW
Brice Pauset (b. 1965): New work (2017) for wind quintetworld premiere, commissioned for the Festival Slowind 2017
Larisa Vrhunc (b. 1967): New work (2017) for wind quintetworld premiere, commissioned for the Festival Slowind 2017
Arnold Schönberg (1874–1951): Wind quintet, Op. 26 (1923/24)

 

4th concert

Tuesday, November 28, 2017 at 8.00 p.m., Slovenska filharmonija (Slovenian Philharmonic), Marjan Kozina Hall

L’Académie des Cosmopolites
Céline Steiner – violin
Brice Pauset – harpsochord
Massimo Pinca – double bass
Slowind with guests
Programme:
MUSIC ABOUT MUSIC
Claus-Steffen Mahnkopf (b 1962): Con Luigi Nono (2017) for violin, viola and violoncello
Georg Muffat (1653–1704): Passacaglia g-Moll (from the collection Apparatus musico-organisticus, 1690) for harpsichord
Heinrich Ignaz Franz von Biber (1644–1704): Sonata for violin/6th Sonata in C minor, C. 143 for violin, harpsichord and double bass
Helmut Lachenmann (b. 1935): Allegro sostenuto (1986-88) for clarinet/bass clarinet, violoncello and piano

 

5th concert

Wednesday, November 29, 2017 at 8.00 p.m., Slovenska filharmonija (Slovenian Philharmonic), Marjan Kozina Hall
Pre-concert talk at 7.00 p.m. with Urška Pompe in Tadeja Vulc

Boris Ostan – narrator
Barbara Jernejčič Fürst – mezzo-soprano
Brice Pauset – harpsichord
Mak Grgić – guitar
Brian Head – guitar
Academic Choir Tone Tomšič of the University of Ljubljana
Jerica Gregorc Bukovec – conductor
Programme:
MUSIC of SOCIETY versus SOCIETY OF MUSIC
Urška Pompe (b. 1969): Vrata dneva / Doors of the Day (2004) for mezzo-soprano
Jacobus Gallus Carniolus (1550–1591): Mirabile mysterium for choir
Jacobus Gallus Carniolus: Auo mihi crude dolor tantum dominare (colloquium Magdalanae cum Christo ad modum echo) for choir
Brice Pauset (b. 1965): Un-Ruhe II (The Slovenian language version) for narrator and harpsichord
Helmut Lachenmann (roj. 1935): Salut für Caudwell (1977) for two guitars
Tadeja Vulc (b. 1978): Epilog (2010) for choir / bodily percussion

 

6th concert

Thursday, November 30, 2017 at 8.00 p.m., Slovenska filharmonija (Slovenian Philharmonic), Marjan Kozina Hall
Pre-concert talk at 7.00 p.m. with Vinko Globokar

Brice Pauset – harpsichord
Aleš Kacjan – flute
Florian Hölscher – piano
and others
Programme:
MUSIC AND/AS SCIENCE
Johann Jacob Froberger (1616–1667): Fantasie sopra Ut re mi fa sol la for harpsichord
Brice Pauset (roj. 1965): Six préludes (1999) for harpsichord
Alberto Posadas (roj. 1967): Odzveni na Françoisa Couperina – iz cikla Sledi spomina (2014) for piano
Elliott Carter (1908–2012): Epigrams (2012) for piano, violin and violoncello
Vinko Globokar (roj. 1934): Monolith (1978) for a flutist

 

7th concert

Friday, Decemebr 1, 2017 at 8.00 p.m., Slovenska filharmonija (Slovenian Philharmonic), Marjan Kozina Hall

Slovenian Philharmonic Orchestra
Michael Wendeberg – conductor
Programme:
MUSIC AND NATURE
Robert Schumann (1810–1856): Symphony in G minor, ‘Zwickau’, WoO 29
Georg Friedrich Haas (b. 1953): Chants Oubliés
Brice Pauset (b. 1965): Maos Frosch for orchestra
Arnold Schönberg (1874–1951): Chamber Symphony No. 2 in E-flat minor, Op. 38