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- 6th SLOWIND SPRING 2019
Tuesday, March 19, 2019 at 7.30 p.m.
Slovenska filharmonija (Slovenian Philharmonic, Slavko Osterc Hall)JOSEF SUK Piano Quartet
Radim Kresta, violin
Eva Krestová, viola
Václav Petr, violoncello
Václav Mácha, pianoProgramme:
Jiří Gemrot (b. 1957): Quartet for violin, viola, violoncello and piano (2015)
Andante moderato
Animato. Andante moderato. AnimatoMatteo D’Amico (b. 1955): Quartettsatz (2018)
for Josef Suk QuartetBohuslav Martinů (1890–1959): Piano quartet No. 1, H. 287
Poco allegro
Adagio
Allegretto poco moderatoThe Josef Suk Piano Quartet are celebrated worldwide for serving the music with „supreme skill“ as well as „heart-felt lyrical phrasing.“ „They play with huge sound, loving detail and lay down music with thrilling authority“. (MusicWeb International, The Guardian)
The Josef Suk Piano Quartet was named after Josef Suk (1929-2011), one of the greatest violinists of the twentieth century, the grandson of composer Josef Suk and great grandson of Antonín Dvořák. The honor of accepting the name of a leading Czech artist was proposed to the ensemble by the Czech Society for Chamber Music and with the kind support of Marie Suková, Josef Suk’s wife. The Josef Suk Piano Quartet develops the rich tradition of Czech chamber ensembles, namely of the famous Suk Trio.
The ensemble was founded by violinist Radim Kresta in 2007, initially as the Taras Piano Trio. Under this name the ensemble won prizes at a number of international competitions: 1st Prize at the Johannes Brahms Wettbewerb 2007; 1st Prize at the Premio Rovere d’Oro 2008; or, 1st Prize at the Val Tidone Music Competitions 2010. From late 2012 they played as Ensemble Taras as a piano quartet. In 2013, the ensemble achieved outstanding success winning two 1st Prizes at international competitions: in May 2013 at the Concorso Salieri-Zinetti in Verona, and in September 2013 at one of the most prestigious competitions, ACM Premio Trio di Trieste. The quartet also became the holders of the prominent prize of the Czech Society for Chamber Music as the Czech Chamber Ensemble of the Year 2014. Thanks to these successes the ensemble were given unique opportunities of performing on prestigious stages and of recording their début CD and DVD for Limen Music and Arts Milan, with the music of Gabriel Fauré (Piano Quartet Op. 15) and Johannes Brahms (Piano Quartet Op. 60), and another CD for the Azzura Music Label, with the music of Gustav Mahler and Brahms (Piano Quartet Op. 25). The ensemble has been performing under their new name of the Josef Suk Piano Quartet since 2014. In 2017 the quartet has recorded a CD under the label of Supraphon with a music of Josef Suk and Antonín Dvořák. Right after the recording was released it was very well critically acclaimed (The Guardian, Gramophone, MusicWeb International and others).
The quartet regularly perform in Italy, Spain, Slovakia, Austria, Germany, Slovenia or in Japan. They have played in venues like Rudolfinum in Prague, Palazzo del Quirinale in Rome, Teatro Verdi in Trieste, Trento filarmonica, Auditorio Castellón, Salla Maffeiana in Verona (here all the members of the quartet performed solo concertos accompanied by Italian orchestra “Virtuosi Italiani”) and others. The ensemble is also a regular guest of many festivals: for example: Prague Spring, Bologna Festival, La Bienalle di Venezia, IMF Leoš Janáček, Ema Destinová Festival, Emilia Romagna Festival,Appassionata Festival and others. They have also performed live in italian, austrian and czech radio (Rai, ORF, ČRo).
Their repertoire comprises key works from Classicism to the present; the pillars of their music are the works of Johannes Brahms, Antonín Dvořák, Josef Suk and Bohuslav Martinů, apart from prominent works of the 20th and 21st centuries. The quartet regularly performs debuts of new compositions by prominent composers such as Jean-Luc Darbelay, Max E. Keller, Matteo D’Amico, Marta Jiráčková and Jiří Gemrot. During their concerts, the ensemble perform in other formations too, as a piano trio or a string trio (as the Josef Suk Trio). As the ensemble members say, “a piano quartet is the ideal formation for us. It offers a range of possibilities and opportunities for the lovers of chamber music. It may unravel in various chamber combinations, for duos to string or piano trios; the piano quartet is also often able to stand for the whole orchestra, and some of the works of this formation are like symphonies…”
- 20th FESTIVAL SLOWIND 2018
Artistic director: Nina Šenk (Slovenia)
Resident ensemble: Klangforum, Vienna
Bas Wiegers – conductor
Jack Quartet
Slowind
Ljubljana, November 6–20, 20181st concert
Tuesday, November 6, 2018 at 20.00, Slovenska filharmonija, Marjan Kozina Hall – 20th Festival Slowind 2018SLOWIND AND FRIENDS
Programme:
Lisa Lim (b. 1966): Axis Mundi (2012–2014) for bassoon
Brian Ferneyhough (b. 1934): Coloratura (1966) for oboe and piano
Bernd Alois Zimmermann (1918–1970): tempus loquendi (1963) for flute
Chaya Czernowin (b. 1957): Sahaf (2008) for saxophone, piano and percussion
Olga Neuwirth (b. 1969): horizontal/vertikal (2007) for trumpet, trombone, electric guitar, percussion and violoncello
Nina Šenk (b. 1982): Scratch (2014) for alto saxophone and cajón
Unsuk Chin (b. 1961): Gougalon – Scenes from a Street Theater (2009, 2011) for chamber ensemble
2nd concert
Tuesday, November 6, 2018 at 22.30, Slovenska filharmonija, Marjan Kozina Hall – 20th Festival Slowind 2018
Late-night concert
GUILLAUME DUFAY THROUGH PRISM OF OUR TIMES
Programme:
Isabel Mundry (b. 1963): Dufay-Bearbeitungen (2003/2004) for flute, oboe, clarinet, percussion, piano, violin, viola and violoncello
Michael Jarrell (b. 1958): Nachlese II – 3th movement (2007) for violin and violoncello
Michael Jarrell: Stille (2006) for piano
Georgi Dimitrov (1904–1979): Sub Rosa for guitar
3th concert
Wednesday, November 7, 2018 at 20.00, Slovenska filharmonija, Marjan Kozina Hall – 20th Festival Slowind 2018
JACK QUARTET & KLEMEN LEBEN
Programme:
Sabrina Schroeder (roj. 1979): Slip Trains (2011)
Matthias Pintscher (roj. 1971): Figura I (1998) for accordion and string quartet
Elliott Carter (1908-2012): String Quartet No. 3 (1971)
Liza Lim (roj. 1966): The Weaver’s Knot (2003)
Iannis Xenakis (1922–2001): Tetras (1983)4th concert
Tuesday, November 13, 2018 at 20.00, Slovenska filharmonija, Marjan Kozina Hall – 20th Festival Slowind 2018
KLANGFORUM WIEN
Programme:
Rebecca Saunders (b. 1967): fury II (2009) for double bass solo, clarinet (bass clarinet), violoncello, piano, percussion and accordion
Nina Šenk (b. 1982): In the Absence (2013) for soprano, flute, oboe, clarinet (bass clarinet), bassoon, horn, trumpet, trombone, strings, piano and percussion
Beat Furrer (b. 1954): still (1998) for flute, oboe, bass clarinet, saxophone, trumpet, trombone, strings, piano and percussion
Beat Furrer: intorno al bianco (2016) for clarinet, violins, viola and violoncello5th concert
Thurdsay, November 15, 2018 at 20.00, Slovenska filharmonija, Marjan Kozina Hall – 20th Festival Slowind 2018KLANGFORUM WIEN & SLOWIND
Programme:
Beat Furrer (b. 1954): presto con fuoco (1997) for flute and piano
Enno Poppe (b. 1969): Brot (2007/2013) for trumpet, horn, trombone and percussion
Nina Šenk (b. 1982): Gouache (2018) for ensemble – Commission of the 20th Festival Slowind 2018
Vito Žuraj (b. 1979): Contour (2012) for wind quintet
Vinko Globokar (b. 1934): Bouquet de parametres sauvages (2018) for ensemble – Commission of the 20th Festival Slowind 20186th concert
Tuesday, November 20, 2018 at 20.00, Slovenska filharmonija, Marjan Kozina Hall – 20th Festival Slowind 2018
EVENTS, GLITTERINGS, TRACES, SHADOWS…
Slowind
Maria Pönicke– soprano
Programme:
Compositions Written for Slowind
Lojze Lebič (b. 1934): Dogodki/Events II (2002) – Commission of the 4th Festival Slowind 2002
Urška Pompe (b. 1969): almost a loneliness (2005) za soprano and wind quintet – Commission of the 7th Festival Slowind 2005
Nina Šenk (b. 1982): Silhouettes and Shadows/Obrisi in sence (2016/2017) – Commission of the 18th Festival Slowind 2016
Matej Bonin (b. 1986): Schimmer V (2018) – Commission of the 20th Festival Slowind 2018
Larisa Vrhunc (b. 1967): Célo (1999) – Commission of the 1st Festival Slowind 1999
Vinko Globokar (b. 1934): Avguštin, dober je vin/Augustin, good is the wine (2002) – Commission of the 4th Festival Slowind 2002 - 5th Slowind Spring 2018: Kairos – New Opportunity
Slovenska filharmonija, April 25 – May 29, 2018
Kairos Quartett (Berlin)
Divertimento Ensemble (Milano)
Slowind Wind Quintet
1st concert
Wednesday, April 25, 2018 at 8 p.m., Slovenska filharmonija, Marjan Kozina HallDivertimento Ensemble
Programme:
ariettes oubliées
György Kurtág: From Cycle Játékok for piano
György Kurtág (b. 1926): Three pieces, Op. 14e for violin and piano
György Kurtág: Az Hit… (from Bormenitz) for violoncello
György Kurtág: Schatten for violoncello and piano
György Kurtág: Varga Balint ligaturaja for violin, violoncello and piano
* * * *
Claude Debussy (1862–1918): Ariettes oubliées for vioce and piano
Zeno Baldi (b. 1988): In punta (2018) for flute, clarinet, violin, violoncello, and piano
Sir Peter Maxwell Davies (1934–2016): Eight Songs for a Mad King for baritone and ensembleDivertimento Ensemble
Sandro Gorli – conductor
Barbara Massaro – soprano (Debussy)
Maurizio Leoni – baritone (Maxwell-Davies)2nd concert
Monday, May 28, 2018 at 8 p.m., Slovenska filharmonija, Marjan Kozina HallKairos Quartett
Slowind
Programme:
Intérieur
Aurel G. Stroe (1932–2008): Quintandre (Hommage à Varèse) (1984) for wind quintet
Xiaoyong Chen (b. 1955): String Quartet No. 3 (2011)
Georg Friedrich Haas (b. 1953): String Quartet No. 5 (2007)
Sebastian Stier (b. 1970): Intérieur (1993) for flute, oboe, clarinet, violins, viola, violoncello and double bass
3th concert
Tuesday, May 29, 2018 at 8 p.m., Slovenska filharmonija, Marjan Kozina HallKairos Quartett
Slowind
Programme:
…da un Divertimento
Wieland Hoban (b. 1978): Rules of Engagement II: Al-Shifa (2014) for string quartet and fixed media
Simon Steen-Andersen (b. 1976): Study for string instruments #2 (2009) for string trio and whammy pedal
Conrado del Rosario (b. 1958): Rondeaux: On Floating Bridges (1992) for clarinet, bassoon, horn, violins, viola, violoncello and double bass
Lorenzo Troiani (b. 1989): Sanguinante. In nomine (2017) for string quartet
Salvatore Sciarrino (b. 1947): …da un Divertimento (1968–1970) for wind quintet, string quartet and double bassDivertimento Ensemble
Lorenzo Missaglia – flute
Maurizio Longoni – clarinet
Maria Grazia Bellocchio – piano
Elio Marchesini – percussion
Lorenzo Gorli – violin
Martina Rudić – violoncelloKairos Quartett
Stefan Häussler – violin
Wolfgang Bender – violin
Simone Heilgendorff – viola
Claudius von Wrochem – violoncelloSlowind
Aleš Kacjan – flute
Matej Šarc – oboe
Jurij Jenko – clarinet
Metod Tomac, Jože Rošer (guest) – horn
Paolo Calligaris – bassoonGuest
Miha Firšt – double bass - 19th Festival Slowind 2017 – Encyclopedia of Music
Aristic Director: Brice Pauset, France / Germany
Ljubljana, November 25–December 1, 2017
Slovenska filharmonija (Slovenian Philharmonic)/Marjan Kozina Hall
With the kind support of the foundation Ernst von Siemens Musikstiftung
Slowind
Ensemble Contrechamps
Michael Wendeberg – conductor
Slovenian Philharmonic Orchestra
Nina Prešiček – piano
Simon Klavžar – percussion
Vokalni ansambel Antiphonus
Céline Steiner – violin
Brice Pauset – harpsichord
Massimo Pinca – doublebass
Boris Ostan – narrator
Barbara Jernejčič Fürst – mezzo-soprano
Mak Grgić – guitar
Brian Head – guitar
Academic Choir Tone Tomšič of the University of Ljubljana
Jerica Gregorc Bukovec – conductor
Florian Hölscher – piano**************
1st concert
Saturday, November 25, 2017 at 8.00 p.m., Slovenska filharmonija (Slovenian Philharmonic), Marjan Kozina Hall
Pre-concert talk at 7.00 p.m. with Brice Pauset.Slowind with guests
Nina Prešiček – piano
Simon Klavžar – percussion
Vocal ensemble Antiphonus
Programme:
COMMON MUSIC MAKING (OR MAYBE NOT)
Céline Steiner (b. 1991): Weiß und leicht (2015) for piccolo, english horn, harp, violin and violoncello
Steven Kazuo Takasugi (b. 1960): Jargon of Nothingness (2002/2003) for oboe, clarinet and electronic amplification and playback
Perotin (1160–1220): Organum a 4 Sederunt Principes for four male voices
Karlheinz Stockhausen (1928–2007): Kontakte (1959–1969) for electronic sounds, piano and percussion2nd concert
Sunday, November 26, 2017 at 8.00 p.m., Slovenska filharmonija (Slovenian Philharmonic), Marjan Kozina Hall
Pre-concert talk at 7.00 p.m. with Dominique Schafer in Uroš Rojko.Ensemble Contrechamps
Slowind
Michael Wendeberg – conductor
Programme:
MUSIC AND POETICS
Dominique Schafer (b. 1967): Vers une présence réelle… (2014) – Triple trio for oboe, clarinet (bass clarinet), trumpet, flute, viola, harp, violin, violoncello and piano
Klaus Huber (b. 1924): Lieber spaltet mein Herz II (1993) for alto flute, guitar and percussion
Brice Pauset (b. 1965): Vita Nova (sérénades) (2006) for violin and ensemble
Uroš Rojko (b. 1954): Zvokasok (2017) for wind quintet and ensemble – world premiere, commissioned for the Festival Slowind 2017International workshop
Monday and Wednesday, November 27 and 29, 2017, University of Ljubljana, Faculty of Arts
(TO THINK) ON MUSIC
Lecturers: Brice Pauset (France / Germany), Dominique Schafer (USA / Switzerland), Céline Steiner (Germany)
Organization and direction: prof. Larisa Vrhunc3th concert
Monday, November 27, 2017 at 8.00 p.m., Slovenska filharmonija (Slovenian Philharmonic), Marjan Kozina Hall
Pre-concert talk at 7.00 p.m. with Brice Pauset in Larisa VrhuncSlowind
Programme:
MUSIC AND LAW
Brice Pauset (b. 1965): New work (2017) for wind quintet – world premiere, commissioned for the Festival Slowind 2017
Larisa Vrhunc (b. 1967): New work (2017) for wind quintet – world premiere, commissioned for the Festival Slowind 2017
Arnold Schönberg (1874–1951): Wind quintet, Op. 26 (1923/24)4th concert
Tuesday, November 28, 2017 at 8.00 p.m., Slovenska filharmonija (Slovenian Philharmonic), Marjan Kozina Hall
L’Académie des Cosmopolites
Céline Steiner – violin
Brice Pauset – harpsochord
Massimo Pinca – double bass
Slowind with guests
Programme:
MUSIC ABOUT MUSIC
Claus-Steffen Mahnkopf (b 1962): Con Luigi Nono (2017) for violin, viola and violoncello
Georg Muffat (1653–1704): Passacaglia g-Moll (from the collection Apparatus musico-organisticus, 1690) for harpsichord
Heinrich Ignaz Franz von Biber (1644–1704): Sonata for violin/6th Sonata in C minor, C. 143 for violin, harpsichord and double bass
Helmut Lachenmann (b. 1935): Allegro sostenuto (1986-88) for clarinet/bass clarinet, violoncello and piano5th concert
Wednesday, November 29, 2017 at 8.00 p.m., Slovenska filharmonija (Slovenian Philharmonic), Marjan Kozina Hall
Pre-concert talk at 7.00 p.m. with Urška Pompe in Tadeja VulcBoris Ostan – narrator
Barbara Jernejčič Fürst – mezzo-soprano
Brice Pauset – harpsichord
Mak Grgić – guitar
Brian Head – guitar
Academic Choir Tone Tomšič of the University of Ljubljana
Jerica Gregorc Bukovec – conductor
Programme:
MUSIC of SOCIETY versus SOCIETY OF MUSIC
Urška Pompe (b. 1969): Vrata dneva / Doors of the Day (2004) for mezzo-soprano
Jacobus Gallus Carniolus (1550–1591): Mirabile mysterium for choir
Jacobus Gallus Carniolus: Auo mihi crude dolor tantum dominare (colloquium Magdalanae cum Christo ad modum echo) for choir
Brice Pauset (b. 1965): Un-Ruhe II (The Slovenian language version) for narrator and harpsichord
Helmut Lachenmann (roj. 1935): Salut für Caudwell (1977) for two guitars
Tadeja Vulc (b. 1978): Epilog (2010) for choir / bodily percussion
6th concert
Thursday, November 30, 2017 at 8.00 p.m., Slovenska filharmonija (Slovenian Philharmonic), Marjan Kozina Hall
Pre-concert talk at 7.00 p.m. with Vinko GlobokarBrice Pauset – harpsichord
Aleš Kacjan – flute
Florian Hölscher – piano
and others
Programme:
MUSIC AND/AS SCIENCE
Johann Jacob Froberger (1616–1667): Fantasie sopra Ut re mi fa sol la for harpsichord
Brice Pauset (roj. 1965): Six préludes (1999) for harpsichord
Alberto Posadas (roj. 1967): Odzveni na Françoisa Couperina – iz cikla Sledi spomina (2014) for piano
Elliott Carter (1908–2012): Epigrams (2012) for piano, violin and violoncello
Vinko Globokar (roj. 1934): Monolith (1978) for a flutist
7th concert
Friday, Decemebr 1, 2017 at 8.00 p.m., Slovenska filharmonija (Slovenian Philharmonic), Marjan Kozina Hall
Slovenian Philharmonic Orchestra
Michael Wendeberg – conductor
Programme:
MUSIC AND NATURE
Robert Schumann (1810–1856): Symphony in G minor, ‘Zwickau’, WoO 29
Georg Friedrich Haas (b. 1953): Chants Oubliés
Brice Pauset (b. 1965): Maos Frosch for orchestra
Arnold Schönberg (1874–1951): Chamber Symphony No. 2 in E-flat minor, Op. 38 - 4th Slowind Spring 2017
May 9 and 10, 2017 at 8 p.m.
October 11, 2017 at 8 p.m.
Slovenska filharmonija/Slovenian Philharmonic, Marjan Kozina HallSlowind with guests
Takefu EnsembleMay 9, 2017 at 8 p.m.
Slovenska filharmonija/Slovenian Philharmonic, Marjan Kozina Hallpre-concert talk at 7 p.m.; guest: Niels Rosing-Schow
Niels Rosing-Schow (b. 1954): Prélude canonique (1994/ 2009) for wind quintet and string quartet
Bent Sørensen (b. 1958): Trotto (1983) for oboe, bassoon, horn, violin and violoncello
Jørgen Jersild (1913–2004): Quartet (1934) for violin, viola, clarinet and bassoon
Igor Stravinski (1882–1971): Pastorale (1907/33) for violin, oboe, english horn, clarinet and bassoon
Niels Rosing-Schow: Five Studies (1979/2014) for wind quintet
Svend Simon Schultz (1913–1998): Divertimento (1961) for wind octetSlowind
Aleš Kacjan – flute
Matej Šarc – oboe
Jurij Jenko – clarinet
Metod Tomac – horn
Paolo Calligaris – bassoonMelina Todorovska – english horn
Aljaž Kalin Kante – clarinet
Lorenzo Contaldo – bassoon
Jože Rošer – horn
Janez Podlesek – violin
Matjaž Porovne – violin
Maja Rome – viola
Milan Hudnik – violoncello
Metod Tomac – conductorMay 10, 2017 at 8 p.m.
Slovenska filharmonija/Slovenian Philharmonic, Marjan Kozina Hallpre-concert talk at 7 p.m.; guest: Niels Rosing-Schow
Slowind with guests
Niels Rosing-Schow (b. 1954): Echoes of Fire (1989/1995) for flute, piccolo, bass clarinet, trumpet, trombone, percussion, violin and violoncello
Per Nørgård (b. 1932): Whirl’s World (1970) for flute, oboe, clarinet, horn and bassoon
Niels Rosing-Schow: I Giardini dietro la Città (2011) for oboe, bass clarinet, harp, violin, viola, violoncello and percussion
Claude Debussy (1862–1918): 4 Preludes (arr. Niels Rosing-Schow) for flute, oboe, clarinet, bassoon, harp, two violins, viola, violoncello and double bass
Niels Rosing-Schow: Two movements for alto flute, english horn, bass clarinet, bassoon horn, two violins, viola, violoncello and double bass
1. Floating (2017) world premiere
2. Sinking – Flashing (2013)Slowind
Aleš Kacjan – flute, piccolo
Matej Šarc – oboe, english horn
Jurij Jenko – clarinet, bass clarinet
Metod Tomac – horn
Paolo Calligaris – bassoonAljaž Beguš – bass clarinet
Jože Rošer – horn
Franc Kosem – trumpet
Žan Tkalec – trombone
Franci Krevh – percussion
Urška Križnik Zupan – harp
Janez Podlesek – violin
Matjaž Porovne – violin
Maja Rome – viola
Milan Hudnik – violoncello
Miha Firšt – double bassMetod Tomac – conductor
October 11, 2017 at 8 p.m.
Slovenska filharmonija / Slovenian Philharmonic, Marjan Kozina HallTakefu Ensemble
Toshio Hosokawa (b. 1955): Sakura (2008) for sho
Toshio Hosokawa: Gesine (2009) for harp
Toshio Hosokawa: Birds Fragments III b (1990/1997) for sho and recorder
Toshio Hosokawa: Small Chant (2012) for violoncello
Toshio Hosokawa: Vertical Time Study I (1992) for clarinet, violoncelo and piano
Vito Žuraj (b. 1979): Chrysanthemum (2014/2015) for clarinet, violoncelo and piano
Toshio Hosokawa: Arc-Song (1999) for oboe and harp
Toshio Hosokawa: Stunden-Blumen (2008) for clarinet, violin, violoncelo and pianoTakefu Ensemble
Mayumi Miyata – sho
Takako Matsumura – harp
Takayasu Hemmi – violin
Tomoki Tai – violoncello
Tosiya Suzuki – recorder
Nozomi Ueda – clarinet
Junko Yamamoto – pianoToshio Hosokawa – artistic director
- 18th FESTIVAL SLOWIND 2016
PULSE OF LIGHT
Artistic direction: Ivan Fedele, Italy
Ljubljana, October 22–29, 2016
Dear Listeners,
While it was not a coincidence that we selected Vito Žuraj as the artistic director of the last Slowind Festival, we can say that this year’s choice also involved a certain amount of luck.
About two years ago, we knocked on the door of Italian composer Ivan Fedele and proposed that Slowind perform at the Venice Biennale, of which he is the programme director. He generously invited us to the last edition of the festival and included a good measure of Slovenian contemporary music written for our ensemble on the programme. There followed discussions on a variety of challenges in the field of contemporary music, and a desire to invite him to Ljubljana soon matured within us. We gave him a copy of Mateja Kralj’s book entitled … Wood, Wind, Metal … which provides a thorough presentation of the philosophy of Slowind’s operation, while also giving creative people an indication of what still remains to be done with us after seventeen festivals. Ivan Fedele was glad to accept our invitation and, with his new festival programme, has invited us into the unknown – just where Slowind always likes to be.
This year’s festival will primarily be permeated with Ivan Fedele’s own music for a wide range of instrumental combinations. Thus the concerts are conceived in a rather classical way in terms of ensembles. The first concert is dedicated entirely to the combination of two pianos, percussion and electronics, the second concert is devoted exclusively to violin with electronics, the third to wind quintet, and the fourth to string quartet with a singer, while the last concert is slightly more in the spirit of Slowind, with diverse mixed ensembles.
This time, we will welcome a number of excellent Italian performers of contemporary music to Ljubljana, including the exceptional violinist Francesco D’Orazio, pianist Maria Grazia Bellochio, the string quartet Quartetto Prometeo with singer Valentina Coladonato, and the ensemble Ex Novo from Venice, under the baton of Pasquale Corrado. For the electronic music, the sound projection will be overseen by Alvise Vidolin and Francesco Abbrescia.
As well is becoming familiar with the music of Ivan Fedele, we will have an opportunity to hear some other exceptional and extensive works: Anthèmes II for violin and electronics by Pierre Boulez, String Quartet No. 2 by György Ligeti and Barvni krog (Colour Circle) by Lojze Lebič.
There are, of course, a number of new compositions awaiting their first performance at this year’s festival. Ivan Fedele has contributed two (!) new works for the festival, Neville Hall has composed a new piece for solo oboe, and we will perform new wind quintets by Nina Šenk and Luka Juhart. Thus we will have an opportunity to experience five world premieres. In the late hours, we will also be able to hear a sound projection of Zgodba o glasu in piščali (A tale of Voice and Flute) by Bor Turel and Gregor Pirš.
We are pleased to once again connect the Slowind Festival with the concert season of the Slovenian Philharmonic Orchestra, who will perform Fedele’s Concerto for Violin and Orchestra at subscription concerts. Francesco D’Orazio will appear as soloist, and the orchestra will be conducted by Pierre-André Valade.
Music education again has a place within the festival programme this year. Composers Ivan Fedele and Andrea Manzoli, as well as violinist Francesco D’Orazio, will speak at an international music workshop organized jointly with the Faculty of Arts in Ljubljana.You are cordially invited to the 18th Slowind Festival 2016!
Matej Šarc
“Without music, life would be a mistake”, wrote the great German philosopher Friedrich Nietzsche; I would add: “Without the endless renewal of music, life would be boring.” No other art form is as highflying, as stormy, as intangible, as sensitive, as suggestive as music, and I consider it to be my great good fortune that I have spent my whole life involved in this wonderful world, which embraces thoughts, emotions, science and knowledge, and which promises an eternity of creativity for ever new generations to come.
The Slowind Festival 2016 will be a showcase of many of my compositions created in the last twenty years. This is a wonderful opportunity for me to present to the audience how, during this period, I have developed my creative and stylistic approach, how I have always given priority to the social dimension of music, and how much attention I have devoted to the dynamic of perception.
“We are people who write music for other people.” This maxim has accompanied me throughout my research of art and poetics, and has always directed my imagination towards the most innovative and radical scores. It is one of the principles that I attempt to convey to my young students at the Academy of St Cecilia in Rome, two of whom – Andrea Manzoli and Pasquale Corrado – will join us at the festival with their fresh and promising compositions. To these two young composers, as well as to my other excellent students, I impart a belief in the “new humanism”, of which music today is not only a witness but undoubtedly also a driving force.
The opportunity to join with Slovenian composers at each concert is highly valued, as it gives me a chance to become familiar with and experience these composers more deeply. I am therefore very honoured that my monographic presentation will be accompanied by Luka Juhart, Nina Šenk, Lojze Lebič, Neville Hall, Bor Turel and Gregor Pirš. I am certain that this will be a source of new connection, cooperation and friendship. We do not get very far alone. Only together and in solidarity can we each asses our own personal identity, through comparison with the identity of others and through a process of social and cultural growth.
The concert programmes of the Slowind Festival 2016 are very diverse, and I am certain that they are imbued with a charm that will draw you to this week of new music: orchestral, chamber and solo evenings, with and without electronics. We should not forget that we live in a century in which music is experiencing profound change, both in terms of its creative direction and regarding listening habits.I wish you all good music!
Ivan Fedele* * * * * * *
* * * * * * *
1st concert
Saturday, October 22, 2016 at 8.00 p.m.Preconcert talk at 7.00 pm
Guest of the talk: Ivan FedeleSlovenska filharmonija (Slovenian Philharmonic), Marjan Kozina Hall
Two Moons Two
Mariagrazia Bellocchio, Aldo Orvieto – piano
Dario Savron, Simone Beneventi – percussion
Alvise Vidolin – live electronics, Luca Richelli – sound projection assistantIvan Fedele (b. 1953): Two Moons Two (2016) for two pianos, two virtual instruments and live electronics (World premiere)
Ivan Fedele: Wood-Skin Tracks (2016) for two percussionists and live electronics (World premiere)
Ivan Fedele: Pulse and Light (2014) for two pianos and live electronics
Ivan Fedele: Phasing (2013) for two pianos and two percussionists
2nd concert
Sunday, October 23, 2016 at 8.00 p.m.Preconcert talk at 7.00 pm
Guest of the talk: Francesco D’OrazioSlovenska filharmonija (Slovenian Philharmonic), Marjan Kozina Hall
Night Travellers
Francesco D’Orazio – violin, five-string electric violin
Francesco Abbrescia – live-electronicsIvan Fedele (b. 1953): Viaggiatori della notte (1983) three pieces for violin
Luciano Berio (1925–2003): Sequenza VIII for violin
Ivan Fedele: Suite Francese II (2010) for violin
Pierre Boulez (1925–2016): Anthèmes 2 (1997) for violin and electronics
Ivan Fedele: Suite Francese VIb (2014) for electric five-string violin and electronicsMORE …
3th concert
Monday, October 24, 2016 at 8.00 pmPreconcert talk at 7.00 pm
Guests of the talk: Andrea Manzoli, Neville Hall, Luka Juhart and Nina ŠenkSlovenska filharmonija (Slovenian Philharmonic), Marjan Kozina Hall
Flamen
Slowind
Matej Šarc – oboeAndrea Manzoli (b. 1977): Crosswinds (2014) for wind quintet
Neville Hall (b. 1962): the crystal body of air (2013) for oboe solo (World premiere)
Matej Šarc – oboe
Luka Juhart (b. 1982): Svetovi/Worlds (2016) for wind quintet (World premiere)
Nina Šenk (b. 1982): Silhouettes and Shadows (2016) for wind quintet (World premiere)
Ivan Fedele (b. 1953): Flamen (1994) for wind quintet4th concert
Monday, October 24, 2016 at 10.30 pmSlovenska filharmonija (Slovenian Philharmonic), Marjan Kozina Hall
A Tale of Voice and Flute
Bor Turel (b. 1954) , Gregor Pirš (b. 1970): Bone Piece
Sound projection
Zvezdana Novakovič – voice
Ljuben Dimkaroski – Moustérian flute
Franci Krevh – percussion
Marko Hatlak – accordion
Luka Juhart – accordion
Bor Turel – electronics
Gregor Pirš – electronicsRealization: Radio Slovenia, Bor Turel’s Private Studio, Yellow Room Studio
International Workshop
Tuesday, October 25, 2016Ljubljana, University of Ljubljana, Facultuy of Arts, Department of Musicology
Sculpting the sound and projecting music
Lecturers: Ivan Fedele, Pasquale Corrado, Francesco D’Orazio, Andrea Manzoli
Organization and moderation: prof. Larisa VrhuncAPPLICATION FORM
Please fill out the online application form (Last day to apply: October 20, 2016)5th concert
Tuesday, October 25, 2016 at 8.00 pmPreconcert talk at 7.00 pm
Guest of the talk: Francesco DillonSlovenska filharmonija (Slovenian Philharmonic), Marjan Kozina Hall
Paroles y palabras
Valentina Coladonato – soprano
Quartetto Prometeo:
Aldo Campagnari – violin
Jacopo Bigi – violin
Massimo Piva – viola
Francesco Dillon – violoncelloIvan Fedele (b. 1953): Paroles y palabras (2000) for soprano and violoncello
Ivan Fedele: Palimpsest (2006) – fourth string quartet
György Ligeti (1923–2006): String Quartet No. 2 (1968)
Ivan Fedele: Morolòja kai erotikà (2010/2011) for soprano and string quartet6th and 7th concert
Thursday, October 27 and Friday, October 28, 2016 at 7.30 pmSlovenian Philharmonic Subscription Concerts (Blue Series)
Cankarjev dom, Gallus Hall
Gymnopédies
Slovenian Philharmonic Orchestra
Pierre-André Valade – conductor
Francesco D’Orazio – violinErik Satie (1866–1925)/orch. Claude Debussy: Gymnopedie No. 1
Ivan Fedele (b. 1953): Concerto for Violin and Orchestra (1998/1999)
Sergei Rachmaninoff (1873–1943)/orch. Ottorino Respighi: Cinq études-tableaux, P. 160
Ottorino Respighi (1879–1936): Pini di Roma, P. 1418th concert
Saturday, October 29, 2016 at 8.00 pmPreconcert talk at 7.00 pm
Guests of the talk: Pasquale Corrado, Lojze Lebič and Ivan FedeleSlovenska filharmonija (Slovenian Philharmonic), Marjan Kozina Hall
Mudrā
Ex Novo Ensemble:
Daniele Ruggieri – flute
Davide Teodoro – clarinet
Aldo Orvieto – piano
Dario Savron – percussion
Carlo Lazari – violin
Carlo Teodoro – cello
Slowind with guests:
Daniele Ruggieri – flute
Matej Šarc – oboe
Davide Teodoro – clarinet
Jurij Jenko – clarinet, bass clarinet
Paolo Calligaris – bassoon
Metod Tomac – horn
Franc Kosem – trumpet
Žan Tkalec – trombone
Matevž Bajde – marimba
Dario Savron – vibraphone
Urška Križnik Zupan – harp
Aldo Orvieto – piano
Janez Podlesek – violin
Carlo Lazari – violin
Maja Rome – viola
Carlo Teodoro – cello
Miha Firšt – contrabass
Francesco D’Orazio – solo violin
Pasquale Corrado – conductorIvan Fedele (roj. 1953): Imagini da Escher (2005) for flute, clarinet, piano, percussion, violin and violoncello
Lojze Lebič (roj. 1934): Barvni krog (2008) for flute, clarinet, trombone, percussion, piano, violin and violoncello
Ivan Fedele: Mosaïque (2008) for violin solo and 16 performers
Pasquale Corrado (roj. 1979): Pulse (2013) for flute, clarinet, piano, percussion, violin and violoncello
Ivan Fedele: Mudrā (2013) for flute, clarinet, bass clarinet, horn, trumpet, trombone, percussion, piano, two violins, viola, violoncello and double bass - 3th Slowind Spring 2016
Slowind
String quartet Kairos
Studio for the contemporary music of the Ljubljana Music Academy
Ljubljana, May 30 and 31, 2016
1st concert
Monday, May 30, 2016 at 5.00 p.m., Slovenska filharmnija (Slovenian Philharmonic) Marjan Kozina Hall
YOUNG COMPOSERS MUSIC FORUM I
Slowind
String quartet KairosAlenja Pivko Kneževič (b. 1989): Inert (2016) za pihalni kvintet (World premiere)
Dominik Steklasa (b. 1989): Gyroscope (2016) za pihalni kvintet (World premiere)
Sergej Newski (b. 1972): Fotografija in dotik (2000) – Godalni kvartet št. 2 (World premiere)* * * *
Hirojuki Itoh (roj. 1963): Autumn Unfolds (2015) za pihalni kvintet (World premiere)
Anej Černe (roj. 1994): Čas za odpuščanje (2016) za pihalni kvintet (World premiere)
Nana Kamijama (roj. 1986): Venus in the sky; four telescopes here (2016) za pihalni kvintet (World premiere)Godalni kvartet Kairos
Stefan Häussler – violina I
Wolfgang Bender – violina II
Simone Heilgendorf – viola
Claudius von Wrochem – violončeloSlowind
Aleš Kacjan – flavta
Matej Šarc – oboa
Jurij Jenko – klarinet
Metod Tomac – rog
Paolo Calligaris – fagot2nd concert
Monday, May 30, 2016 at 8.00 p.m., Slovenska filharmnija (Slovenian Philharmonic) Marjan Kozina HallFORUM MLADIH SKLADATELJEV II
Slowind
Godalni kvartet KairosIsamu Kanai (roj. 1975): Evento plastico (2015) za pihalni kvintet (World premiere)
Sampo Haapamäki (roj. 1979): Connection (2007) za godalni kvartet
(Slovenska premiera)
David Veber (roj. 1988): Tri miniature (2016) za pihalni kvintet (World premiere)
Marina Khorkova (roj. 1981): Godalni kvartet (2010) (World premiere)
Diego Ramos Rodríguez (roj. 1989): Inventio (2015) za pihalni kvintet (First time in Slovenia)Godalni kvartet Kairos
Stefan Häussler – violina I (Haapamäki), violina II (Khorkova)
Wolfgang Bender – violina I (Khorkova), violina II (Haapamäki)
Simone Heilgendorf – viola
Claudius von Wrochem – violončeloSlowind
Aleš Kacjan – flavta
Matej Šarc – oboa
Jurij Jenko – klarinet
Metod Tomac – rog
Paolo Calligaris – fagottorek, 31. maj 2016, od 17.00 do 19.00, Dvorana Slavka Osterca, Slovenska filharmonija
OKROGLA MIZA Z MLADIMI KOMPONISTI
Sodelujoči skladatelji:
Anej Černe (Slovenija)
Isamu Kanai (Japonska)
Alenja Pivko Kneževič (Slovenija)
Diego Ramos Rodríguez (Španija)
David Veber (Slovenija)
Nana Kamiyama (Japonska)
Dominik Steklasa (Slovenija)
Hiroyuki Itoh (Japonska)
Larisa Vrhunc (Slovenija)Moderatorka: Maia Juvanc
Okrogla miza z mladimi komponisti je odprta za javnost.
Prvi dan 3. Slowindove pomladi 2016 bomo slišali enajst novejših, od tega pet čisto novih skladb mladih skladateljic in skladateljev. Kar devet izmed njih bo pod moderatorstvom slovenske muzikologinje Maie Juvanc sodelovalo v pogovoru o njihovi glasbi, izzivih in dilemah mladih komponistov v današnjem času in si izmenjalo estetske poglede na glasbo in umetnost. Okrogla miza bo potekala v angleškem jeziku.
Okroglo mizo organizirata Glasbeno društvo Slowind in Slovensko muzikološko društvo.
3. koncert
torek, 31. maj 2016, ob 20.00, Dvorana Marjana Kozine, Slovenska filharmonijaIZ(Z)VEN
Slowind
Godalni kvartet Kairos
Člani studia za sodobno glasbo Akademije za glasbo v LjubljaniGyörgy Ligeti (1923–2006): Deset skladb (1968) za pihalni kvintet
Federico Gardella (roj. 1979): Nebbiæ (2009) za flavto (altovsko flavto), klarinet (basovski klarinet), violino, violo in violončelo (Slovenska premiera)
Tošio Hosokava (roj. 1955): Singing Garden (2003) za flavto, oboo, harfo, klavir, violino in violončelo (Slovenska premiera)
György Kurtág (roj. 1926): Quartetto per archi, op. 1 (1959)
Larisa Vrhunc (roj. 1967): Navpično (2015) za godalni kvartet in različne izvajalce (Slovenska premiera)Godalni kvartet Kairos
Stefan Häussler – violina I (Kurtág, Hosokava), violina II (Vrhunc)
Wolfgang Bender – violina I (Vrhunc, Gardella), violina II (Kurtág)
Simone Heilgendorf – viola (Kurtág, Gardella, Vrhunc)
Claudius von Wrochem – violončelo (Kurtág, Gardella, Hosokava, Vrhunc)Poleg godalnega kvarteta Kairos skladbo Navpično Larise Vrhunc izvajajo člani Studia za sodobno glasbo Akademije za glasbo v Ljubljani:
Nataša Trček – glas
Janja Turk – flavta
Monika Babič – oboa
Julija Vrabec – klarinet
Janez Pincolič – fagot
Tilen Lebar – saksofon
Nejc Zahrastnik – trobenta
Sarah Akif – rog
Matjaž Kreča – kitara
Andraž Frece – harmonika
Ingrid Mačus – klavir
Gašper Livk – kontrabasMentorica: Larisa Vrhunc
Slowind
Aleš Kacjan – flavta (Ligeti, Gardella, Hosokava)
Matej Šarc – oboa (Ligeti, Hosokava)
Jurij Jenko – klarinet (Ligeti, Gardella, Hosokava)
Metod Tomac – rog (Ligeti)
Paolo Calligaris – fagot (Ligeti)Marjan Peternel – klavir (Gardella)
Urška Križnik Zupan – harfa (Hosokava)Metod Tomac – dirigent (Gardella, Hosokava)
- 17th SLOWIND FESTIVAL 2015
Žuraj with Slowind!
In the Vortex of TimeArtistic Direction: Vito Žuraj
Ljubljana, 19–25 October 2015
Valued Listeners,
It is no coincidence that we in Slowind decided almost three years ago to entrust the artistic direction of our festival to the penetrating, successful and (still) young composer Vito Žuraj. And it is precisely in the last three years that Vito has achieved even greater success, recently being capped off with the prestigious Prešeren Fund Prize in 2014, as well as a series of performances of his compositions at a diverse range of international music venues. Vito’s close collaboration with composers and performers of various stylistic orientations was an additional impetus for us to prepare the Slowind Festival under the leadership of a Slovenian artistic director for the first time!
This autumn, we will put ourselves at the mercy of the vortex of time and again celebrate to some extent. On this occasion, we will mark the 90th birthday of Pierre Boulez as well as the 80th birthday of Helmut Lachenmann and Georg Katzer. In addition to works by these distinguished composers, the 17th Slowind Festival will also present a range of prominent composers of our time, including Bruno Mantovani, Brice Pauset, Michael Pelzel, Heinz Holliger, Beat Furrer and Márton Illés, as well as Slovenian composers Larisa Vrhunc, Nina Šenk, Bojana Šaljić Podešva, Uroš Rojko, Matej Bonin, and, of course, the festival’s artistic director Vito Žuraj. At one of the concerts of electronic music, we would like to pay a special tribute to the memory of Slovenian composer Mihael Paš, who this summer passed away much too soon. We will perform his composition entitled S. For many listeners, the highlights of the festival will be the performances of Gérard Grisey’s monumental composition Vortex temporum and Wolfgang Rihm’s masterpiece Tutuguri VI.
Our guest performers will be the ensembles Contrechamps from Geneva, Tema from Karlsruhe, Drumartica and the Slovenian Percussion Project, as well as the realiser of electronic music Gregorio García Karman from the Berlin Academy of the Arts, and a series of excellent soloists.
This year, new compositions will be contributed by Matej Bonin, Márton Illés, Bojana Šaljić Podešva, Vito Žuraj and Larisa Vrhunc. According to the information at hand, we will even hear a premiere performance of a composition entitled Madonna il poco dolce by Italian baroque composer Nicola Vicentino! This work will be played on the chromatic harpsichord by Swiss harpsichordist Johannes Keller, who together with pianists Marija Skender and Neus Estarellas Calderón, as well as soprano Marisol Montalvo, will perform a particularly interesting music theatre concert with a diverse range of keyboard instruments. Just two days after the end of the festival, we well, along with the excellent ensemble Contrechamps, present new works by Vito Žuraj and Larisa Vrhunc to the Geneva audience at the Ernest Ansermet Studio.
We are very happy that again this year the Slowind Festival will be linked with the concert season of the Slovenian Philharmonic Orchestra, who will perform a new work by Bojana Šaljić Podešva and the composition strane costellazioni by composer and conductor Beat Furrer at one of this year’s subscription concerts. Nor will we overlook the area of music education, with two international music workshops presented by composers Michael Pelzel, Brice Pauset, Márton Illés and Vito Žuraj, as well as harpsichordist Johannes Keller.
So, dear listeners, come and enjoy “Il Dolce Vito” with Slowind!
Matej Šarc
1st concert
Monday, 19 October 2015 at 8.00 pm
Ljubljana, Slovenska filharmonija (Slovenian Philharmonic), Marjan Kozina Hall – 17th Slowind Festival 2015
Preconcert talk with Vito Žuraj at 7.00 pmEnsemble Tema
Marisol Montalvo – soprano
Jaka Stadler and Cello Ensemble
Slowind
Programme:
Vortex temporum
Pierre Boulez (*1925): Messagesquisse (1976/77) for violoncello solo and 6 violoncellos
Helmut Lachenmann (*1935): Toccatina (1986) for violin solo
Vito Žuraj (*1979): Contour (2012) for wind quintet
Heitor Villa-Lobos (1887–1959): Bachianas brasileiras št. 5 (1938–1945) for soprano and 8 violoncellos
Gérard Grisey (1949–1998): Vortex temporum (1994–96) for flute, clarinet, piano, violin, viola and violoncello… more …
… composers and performers …Duration: 85′
2nd concert
Tuesday, 20 October 2015 at 8.00 pm
Ljubljana, Slovenska filharmonija (Slovenian Philharmonic), Marjan Kozina Hall – 17th Slowind Festival 2015
Preconcert talk with Vito Žuraj, Márton Illés and Michael Pelzel at 7.00 pm
Johannes Keller – harpsichords
Marija Skender, Neus Estarellas Calderón – piano
Marisol Montalvo – soprano
Programme:
Claviers – music theatre concert
Nicola Vicentino (1511–1575): Musica prisca caput for cimbalo cromatico with 31 keys per octave
Ivan Wyschnegradsky (1883–1979): Prélude Nr. 5, Op. 22 (1934, rev. 1960) for two pianos in quartertones
Vito Žuraj (*1979): Recitatives (2012) – I for soprano and cimbalo cromatico with 24 keys per octave
Ivan Wyschnegradsky: Prélude Nr. 3, Op. 22 for two pianos in quartertones
Pierre Boulez (*1925): Notations (1945) – Nr. 1 for piano
Ivan Wyschnegradsky: Prélude Nr. 2, Op. 22 for two pianos in quartertones
Márton Illés (*1975): Cembalosätze (2012) – Part I for amplified harpsichord (World premiere)
Michael Pelzel (*1978): Brushing (2009) – Part I for prepared piano
Pierre Boulez: Notations – Nr. 2 for piano
Ivan Wyschnegradsky: Prélude Nr. 1, Op. 22 for two pianos in quartertones
Vito Žuraj: Recitatives – II for soprano and cimbalo cromatico with 24 keys per octave
Ivan Wyschnegradsky: Prélude Nr. 9, Op. 22 for two pianos in quartertones
Pierre Boulez: Notations – Nr. 4 for piano
Ivan Wyschnegradsky: Prélude Nr. 11, Op. 22 for two pianos in quartertones
Márton Illés: Cembalosätze – Part II for amplified harpsichord (World premiere)
Ivan Wyschnegradsky: Prélude Nr. 14, Op. 22 for two pianos in quartertones
Pierre Boulez: Notations – Nr. 5 for piano
Helmut Lachenmann (*1935): Guero (1970) for amplified piano
Pierre Boulez: Notations – Nr. 8 for piano
Ivan Wyschnegradsky: Prélude Nr. 4, Op. 22 for two pianos in quartertones
Vito Žuraj: Recitatives – III for soprano and cimbalo cromatico with 24 keys per octave
Ivan Wyschnegradsky: Prélude Nr. 17, Op. 22 for two pianos in quartertones
György Ligeti (1923–2006): Passacaglia Ungherese (1978) for amplified clavichord
Michael Pelzel: Brushing – Part II for prepared piano
Pierre Boulez: Notations – Nr. 11 for piano
Ivan Wyschnegradsky: Prélude Nr. 18, Op. 22 for two pianos in quartertones
Márton Illés: Cembalosätze – Part III for amplified harpsichord (World premiere)
Ivan Wyschnegradsky: Prélude Nr. 20, Op. 22 for two pianos in quartertones
Pierre Boulez: Notations – Nr. 12 for piano
Ivan Wyschnegradsky: Prélude Nr. 23, Op. 22 for two pianos in quartertones
Vito Žuraj: Recitatives – IV for soprano and cimbalo cromatico with 24 keys per octave
Michael Pelzel: Brushing – Part III for prepared piano
Nicola Vicentino (1511–1575): Madonna il poco dolce for cimbalo cromatico with 31 keys per octave (World premiere)* All the Préludes by Ivan Wyschnegradsky are from the collection 24 Préludes dans tous les tons de l’échelle chromatique diatonisée à 13 sons, Op. 22 (1934, rev. 1960) for two pianos in quartertones.
… more …
… composers and performers …Duration: cca. 75′
International workshop
Thursday, 22 October 2015, 9.30 am–1.00 pm and 2.30 pm–5.30 pmUniversity of Ljubljana, The Rectorate Hall – 17th Slowind Festival 2015
Studio 31
Workshop about Keyboard Instruments with more than 12 keys per octave
Lecturer: Johannes Keller (Switzerland)
Guest: Márton Illés, skladatelj (Hungary/Germany)In cooperation with Academy of Music Ljubljana
3th concert
Wednesday, 21 October 2015 at 8.00 pm
Ljubljana, Slovenska filharmonija (Slovenian Philharmonic), Marjan Kozina Hall – 17th Slowind Festival 2015
Preconcert talk with Alwyn Westbrooke, Nina Šenk and Uroš Rojko at 7.00 pm
Ensemble Tema
Simon Klavžar – percussion
Slowind with guests
Programme:
Tema
Alwyn Westbrooke (*1982): Why Gryphons Shouldn’t Dance? (2011) for piano trio
Helmut Lachenmann: Sakura-Variationen (2000) for alto saxophone, percussion and piano
Nina Šenk (*1982): Dreamcatcher (2014) for flute, clarinet, percussion, piano, violin, two violoncellos and double bass
Bruno Mantovani (*1974): L’incandescence de la bruine (1997) for saxophone and piano
Georg Katzer (*1935): Schlagmusik 1 (1986) for percussionist
Uroš Rojko (*1954): Stone Wind I (1997) for flute and clarinet
Pierre Boulez: Dérive I (1984) for flute, clarinet, vibraphone, piano, violin and violoncello… more …
… composers and performers …Duration: 67′
International Workshop
Thursday, 22 October 2015, 9.30 am–1.00 pm and 2.30 pm–4.00 pmUniversity of Ljubljana, Faculty of Arts, Blue room – 17th Slowind Festival 2015
Old and Young in the Vortex of Time
Lecturers: Michael Pelzel, Brice Pauset (Switzerland) and Vito Žuraj
Moderation: Prof. Larisa VrhuncMore about the International Workshop
4th concert
Thursday, 22 October 2015 at 5.30 pmLjubljana, Slovenska filharmonija (Slovenian Philharmonic), Marjan Kozina Hall – 17th Slowind Festival 2015
Preconcert talk with Gregorio García Karman at 4.45 pm
Gregorio García Karman (Berlin Academy of the Arts) – electro-acoustic realization
Marija Skender – piano
Luka Juhart – accordion
Maxime Morel – tuba
Programme:
Elektronika I
Georg Katzer (*1935): Dialog imaginär No. 2 (“ad parnassum”) (1986/87) for piano and electronics
Lothar Voigtländer (*1943): Atemlos (1985) for electronics
Vito Žuraj (*1979): Roin-robin (2014) for accordion and electronics
Vinko Globokar (*1934): Introspection d’un tubiste (1983) for tuba, live-electronics and choreography… more …
… composers and performers …Duration: 59′
5th concert
Friday, 23 October 2015 at 5.30 pmLjubljana, Slovenska filharmonija (Slovenian Philharmonic), Marjan Kozina Hall – 17th Slowind Festival 2015
Preconcert talk with Tadej Kenig at 4.45 pm
Gregorio García Karman – electro-acoustic realization
Tadej Kenig – clarinet
Matej Šarc – oboe
Slowind
Programme:
Elektronika II
Pierre Boulez (*1925): Dialogue de l’ombre double (1984) for clarinet and electronics
Georg Katzer (*1935): Les Paysages fleurissantes (2001) for electronics
Heinz Holliger (*1939): Cardiophonie (1971) for oboe and electronics
Mihael Paš (1970–2015): „S” for electronics
Salvatore Sciarrino (*1947): Il silenzio degli oracoli (1989) for wind quintet and amplification… more …
… composers and performers …Duration: 62′
Subscription Concerts of the Slovenian Philharmonic Orchestra
Thursday, 22 October and Friday, 23 October 2015 at 7.30 pmCankarjev dom, Gallus Hall
Slovenian Philharmonic Orchestra
Beat Furrer – conductor
Luka Juhart – accordion
Programme:
strane costellazioni
Bojana Šaljić Podešva (*1978): Podoba, jaz in sanje (2015) for accordion, orchestra and electronics (World premiere)
Beat Furrer (*1954): strane costellazioni (2013) for large orchestra
Anton Webern (1883–1945): Six Pieces, Op. 6 for large orchestra
Franz Schubert (1797–1828): Symphony Nr. 4 in c-minor, D 417, “Tragic”Duration: 71′
6th concert
Saturday, 24 October 2015 at 8.00 pmLjubljana, Slovenska filharmonija (Slovenian Philharmonic), Marjan Kozina Hall – 17th Slowind Festival 2015
Preconcert talk with Matej Bonin at 7.00 pm
Drumartica
Aleš Kacjan – flute
Slovenian Percussion Project SToP
Programme:
Tutuguri
Bruno Mantovani: Un souffle (2005) for flute and four percussionists
Matej Bonin (*1986): Trash Me Out (2015) for two percussionists (World premiere)
Helmut Lachenmann: Intérieur (1965) for one percussionist
Wolfgang Rihm: Tutuguri VI (Kreuze) (1981) for six percussionists… more …
… composers and performers …Duration: 74′
7th concert
Sunday, 25 October 2015 at 8.00 pmLjubljana, Slovenska filharmonija (Slovenian Philharmonic), Marjan Kozina Hall – 17th Slowind Festival 2015
Preconcert talk with Brice Pauset, Michael Pelzel, Larisa Vrhunc and Vito Žuraj at 7.00 pm
Ensemble Contrechamps
Slowind
Michael Wendeberg – conductor
Programme:
Finale
Beat Furrer (*1954): Gaspra (1988) for flute, clarinet, percussion, piano, violin, viola and violoncello
Larisa Vrhunc (*1967): And if not (2015) for large ensemble (World premiere)
Brice Pauset (*1965): Theorie der Tränen: Schlamm (2008) for clarinet, piano, violin and violoncello
Michael Pelzel: “…par la brume flottante…” (2004) for flute, clarinet, percussion, violin, viola, violoncello and double bass
Vito Žuraj: Moonballs (2015) for wind quintet and ensemble (World premiere)… more …
… composers and performers …Duration: 71′
______________________________________________________________
Subscription ticket: €40.00, reduced price €20.00.
Ticket for each individual concert: €10.00, reduced price €5.00.
The reduced price is valid for students, pensioners and Slovenian Philharmonic subscription holders.
The stated prices are not valid for the subscription concerts of the Slovenian Philharmonic, which are not included in the subscription ticket for the Slowind Festival.
Presales of subscription tickets and individual concert tickets: Slovenian Philharmonic box office.
Info: (01) 24 10 824______________________________________________________________
- 2nd Slowind Spring 2015
2nd Slowind Spring 2015
Ensemble Aleph (France)
Slowind
Michel Pozmanter – conductorLjubljana, Slovenia, May 12–13, 2015
1st concert
Tuesday, May 12, 2015 at 8 p.m., Marjan Kozina Hall, Slovenska filharmonija (Slovenian Philharmonic)
YOUNG COMPOSER’S FORUM
Finnur Karlsson (Iceland): Two Movements (2014) for woodwind quintet
Alja Zore (Slovenia): Kaliaihzis (2014) for woodwind quintet
Aureliano Cattaneo (Italy/Spain): Trio IV (2006) for clarinet, violoncello and piano
Jeppe Ernst (Denmark): mor I far (2014) for woodwind quintet
Kristian Rymkier (Denmark/France): Mécanique (2014) for woodwind quintet
Victor Ibarra (Mexico/France): sofferte … lontano for bass clarinet, viola, violoncello, piano and percussion
Tomaž Bajželj (Slovenia): 350 Pictures (2013) for woodwind quintet
Christian Winther Christensen (Denmark): Trio (2009) for violin, viola and violoncello
Marcus Lease (USA/Denmark): Peace, Affannato (2014) for woodwind quintet
Eneko Vadillo-Perez (Spain): Jiseiyi (2001–02) for piccolo, oboe, clarinet, bassoon, horn, violin, viola, violoncello, double bass and percussion2nd concert
Wednesday, May 13, 2015 at 8 p.m., Marjan Kozina Hall, Slovenska filharmonija (Slovenian Philharmonic)
VINTAGE TRANSCRIBED
Bernd Alois Zimmermann: Enchiridion (1949-51) – Transcription for chamber ensemble by Dominique Clément
Arnold Schönberg: Concerto for violoncello in D major (1932–33) – Transcription for chamber ensemble by Dominique Clément
Larisa Vrhunc: Extracts of the opera Black Masques
Bernd Alois Zimmermann: Musique pour les soupers du roi Ubu (1962–1966–2011)
Dark ballet in seven parts and one entrance of Bernd Alois Zimmermann – Arranged version for chamber ensemble and actor by Dominique ClémentEnsemble Aleph:
Dominique Clément – clarinet
Lutz Mandler – trumpet
Noémi Schindler – violin
Belinda Peake – viola
Christophe Roy – violoncello
Jean-Charles François – percussion
Sylvie Drouin – pianoSlowind:
Aleš Kacjan – flute
Matej Šarc – oboe
Jurij Jenko – clarinet
Metod Tomac – horn
Paolo Calligaris – bassoonGuests:
Boris Ostan – actor
Žan Tkalec – trombone
Petra Greblo – violoncello
Miha Firšt – double bass
Aleksandra Verbickaja – harpsichordMichel Pozmanter – conductor
Wednesday, May 13, 2015 from 4.30 p.m. till 7 p.m., Slavko Osterc Hall, Slovenska filharmonija (Slovenian Philharmonic)
YOUNG COMPOSER’S ROUND TABLE
Participating composers at the round table:
Jepper Ernst (Denmark)
Victor Ibarra (Mexico / France)
Alja Zore (Slovenia)
Kristian Rymkier (Denmark / France)
Tomaž Bajželj (Slovenia)
Marcus Lease (USA / Denmark)
Finnur Karlsson (Iceland / Denmark)Moderation: Maia Juvanc
Seven young composers, whose works will be performed at 2nd Slowind Spring 2015 will under the moderation of musicologist Maia Juvanc discuss their music, several issues of being young composer today and exchange their estethic views.
Welcome to join it and stay afterwards tor the Vintage Transcribed concert.
- 16th Festival Slowind 2014
CONFRONTING SILENCE …
16th Festival Slowind 2014
Music from Japan
artistic director Robert Aitken
____________________________11 – 21 October 2014
Film screening 1
Saturday, October 11, 2014 at 7 p.m.
Ljubljana, Slovenska kinoteka, Miklošičeva 28 – 16. Festival Slowind 2014
Ran (Chaos)
Akira Kurosawa – director
Tōru Takemitsu – music1st concert
Sunday, October 12, 2014 at 8 p.m.
Ljubljana, Slovenska filharmonija, Marjan Kozina Hall – 16. Festival Slowind 2014
Pre-concert talk with Robert Aitken at 7 p.m.
Robert Aitken – flute, conductor
Miran Kolbl – violin
Igor Mitrović, Milan Hudnik, Petra Gačnik Greblo – violoncello
Jurij Jenko – clarinet solo
Metod Tomac – horn
Franc Kosem, Nejc Zahrastnik, Jure Gradišnik, Matej Rihter – trumpet
Uroš Vegelj – tuba
Mihael Šuler, Uroš Polanc, Urban Turjak – trombone, bass trombone
Marjan Peternel – piano
Nicoletta Sanzin, Anja Gaberc – harp
Duo Drumartica (Jože Bogolin, Simon Klavžar)
Matevž Bajde – vibraphone
Programme:
“Waves”
Tōru Takemitsu: Waterways (1978) for clarinet, violin, violoncello, piano, two harps and two vibraphones
Tōru Takemitsu: Rain Tree (1981) for two marimbas, vibraphone and spotlight
Tōru Takemitsu: Garden Rain (1974)
I. for horn, two trumpets, trombone and tuba
II. for two trumpets and three trombones
Robert Aitken: Lalitá (1992) for flute, three violoncellos, two harps and two percussionists
Tōru Takemitsu: Valovi (1976) for clarinet solo, accordion, horn, two trombones and bass drum
Tōru Takemitsu: Bryce (1976) for flute, two harps and two percussionistsInternational Workshop 1
Tuesday, October 14, 2014 at 10.20 a.m.
Ljubljana, University of Ljubljana, Faculty of Arts, Aškerčeva 2, »Modra soba« (5th floor) – 16th Festival Slowind 2014
“Confronting Silence I”
Lecturer: Dai Fujikura (London)
Moderation and organisation: Larisa Vrhunc2nd concert
Tuesday, October 14, 2014 at 8 p.m.
Ljubljana, Slovenska filharmonija, Marjan Kozina Hall – 16. Festival Slowind 2014
Pre-concert talk with Tadeja Vulc and Dai Fijikura at 7 p.m.
Slowind
Robert Aitken – flute
Džunko Handa – biwa
Tadaši Tadžima – shakuhachi
Dimitrij Lederer – bass clarinet
Dejan Prešiček – alto saxophone
Franci Krevh – vibraphone
Nicoletta Sanzin – harp
Marjan Peternel – piano
Programme:
“Rain Spell”
Alja Zore: Kaliaihzis (2014) for wind quintet
Tōru Takemitsu: Eclipse (1966) for biwa and shakuhachi
Tadeja Vulc: Pajčevine časa (2014) for wind quintet
John Cage: Ryoanji (1984) for bamboo flute, percussion and 3 pre-recorded bamboo flutes
Dai Fujikura: Wind Skein (2013) for oboe, clarinet, saxophone alto, bass clarinet and bassoon
Tōru Takemitsu: Rain Spell (1982) for flute (alto flute), clarinet, harp, piano and vibraphone3th concert
Tuesday, October 14, 2014 at 10.30 p.m.
Ljubljana, Slovenska filharmonija, Marjan Kozina Hall – 16. Festival Slowind 2014
Robert Aitken, Aleš Kacjan, Matej Zupan, Liza Hawlina – flutes
Paolo Calligaris – bassoon
Nicoletta Sanzin – harp
Tadashi Tajima – shakuhachi
Yasumichi Iwaki – viola
Programme:
“And then I knew ’twas Wind…”
Tōru Takemitsu: Voice (1971) for flute solo
Tōru Takemitsu: Masque for two flutes (Continu (1959); Incidental I (1959); Incidental II (1960))
Tōru Takemitsu: Itinerant in Memory of Isamo Noguchi (1989) for flute solo
Tōru Takemitsu: And then I knew ’twas Wind (1992) for flute, viola and harp
Toshio Hosokawa: ‟Kuroda-bushi” (2004) for alto flute
Dai Fujikura: Calling (2011) for bassoon solo
Jo Kondo: High Song (1987) for alto flute and shakuhachi
Joji Yuasa: Interpenetration (1966) for two flutes
Toshi Ichiyanagi: still Time IV – In Memory of Tōru Takemitsu (1998) for flute solo
Tōru Takemitsu: Air (1995) for flute soloFilm Screening 2
Wednesday, October 15, 2014 at 7 p.m.
Ljubljana, Slovenska kinoteka, Miklošičeva 28 – 16. Festival Slowind 2014
Rising sun
Director: Philip Kaufman
Music: Tōru TakemitsuSlovenian Philharmonic Subscription Series
Thursday and Friday, October 16 and 17, 2014 at 7.30 p.m.
Ljubljana, Cankarjev dom, Gallus Hall – 16. Festival Slowind 2014
Slovenian Philharmonic Orchestra
Fréderic Chaslin – conductor
Junko Handa – biwa
Tadashi Tajima – shakuhachi
Programme:
“November Steps”
Ernest Chausson: Viviane – Ouverture
Claude Debussy: La mer
Tōru Takemitsu: November Steps (1967) for biwa, shakuhachi and orchestra
Maurice Ravel: Valses nobles et sentimentalesInternational Workshop 2
Friday, October 17, 2014 at 11.30 a.m.
Ljubljana, Trubar Literature House, Stritarjeva 7 – 16th Festival Slowind 2014
“Confronting Silence II”
Lecturer: Toshio Hosokawa (Tokio)
Moderation and organisation: Larisa Vrhunc4th concert
Saturday, October 18, 2014 at 8 p.m.
Ljubljana, Slovenska filharmonija, Marjan Kozina Hall – 16. Festival Slowind 2014
Pre-concert talk with Toshio Hosokawa at 7 p.m.
Slowind
Robert Aitken – flute
Naoko Yoshino – harp
Mayumi Myata – shō
Klemen Leben – accordion
Marjan Peternel – piano
Programme:
“Ancient Voices” – Portrait Concert of Toshio Hosokawa
Toshio Hosokawa (1955): Gesine for harp solo
Toshio Hosokawa: Cloudscapes – Moon Night (1998) for shō and accordion
Toshio Hosokawa: Arc Song (1999) for oboe and harp
Toshio Hosokawa: Fragmente III (1989) for woodwind quintet
Toshio Hosokawa: Utsurohi (1986) for shō and harp
Toshio Hosokawa: Lied (2010) for flute and piano
Toshio Hosokawa: Ancient Voices (2013) for woodwind quintet5th concert
Sunday, October 19, 2014 at 8.00 p.m.
Ljubljana, Slovenska filharmonija, Marjan Kozina Hall – 16. Festival Slowind 2014
Chamber Choir Ave
Jerica Gregorc Bukovec – conductor
Franc Kosem – trumpet
Mayumi Myata – shō
Tadashi Tajima – shakuhachi
Programme:
“Cherry Blossoms”
Tōru Takemitsu: Paths (1994) In memoriam of Witold Lutosławski for trumpet solo
Tōru Takemitsu: Wind Horse (1961–66) for mixed choir (I Vocalise 1 for women’s choir; III Vocalise II for men’s choir; IV Vocalise III for mixed choir)
Toshi Ichiyanagi: Galaxy (1983) for shō
Tōru Takemitsu: Handmade Proverbs (Four Popular Songs) (1987) for 6 male singers (I Your Eyes; II Three bonzes; III Cinderella’s Misfortune; IV A Farewell gift Words by Shuzo Takoguchi)
Joji Yuasa: To the Genesis (1988) for shō
Uroš Rojko (1954): Več luči / Mehr Licht (2014) for mixed choir
Tōru Takemitsu: Sakura (Cherry Blossoms) (1979–92) for mixed choir
Gionsyoja from the story of Heike-Hikigatari by Junko Handa for biwa
Tōru Takemitsu: Mienai Kodomo (Unseen Child) (1979–92) for mixed choir
Traditional music by Tadashi Tajima for shakuhachi
Tōru Takemitsu: Sayonara (1979–92) (words by Kuniharu Akiyama) for mixed choir6th concert
Tuesday, October 21, 2014 at 8 p.m.
Ljubljana, Slovenska filharmonija, Marjan Kozina Hall – 16. Festival Slowind 2014
Pre-concert talk with Robert Aitken and Naoko Yoshino at 7.00 p.m.
Robert Aitken – flute and conductor
Slovenian Philharmonic String Orchestra
Slowind
Aljaž Beguš – clarinet, bass clarinet
Jože Rošer – horn
Franc Kosem – trumpet
Žan Tkalec – trombone
Franci Krevh, Matevž Bajde – percussion
Marjan Peternel – piano, celesta
String Quartet Dissonance: (Janez Podlesek, Matjaž Porovne, Oliver Dizdarević Škrabar, Klemen Hvala)
Naoko Yoshino – harp
Mayumi Myata – shō
Programme:
“Toward the Sea”
Tōru Takemitsu: Nostalghia (1984) for solo violin and strings
Tōru Takemitsu: Distance (1972) for oboe and shō
Tōru Takemitsu: Toward the Sea II (1981) for alto flute, harp and strings (I The Night; II Moby Dick; III Cape Cod)
Tōru Takemitsu: Eucalypts II (1971) for flute, oboe and harp
Toshio Hosokawa: Birds Fragments III (1990) for shō and flute
Tōru Takemitsu: Tree Line (1988) for flute (alto), oboe, clarinets (bass clarinet), bassoon (contrabassoon), horns, trumpet, trombone, percussion, harp, piano (celeste), violins, viola, cello and double bass - 15th FESTIVAL SLOWIND 2013
Vendre le vent / Selling the Wind
Festival to celebrate Vinko Globokar’s 79th Anniversary
Artistic directon: Vinko Globokar
from 9ht till 15th October 2013
1st concert
Wednesday, October 9th, 2013 at 8 p.m.
Ljubljana, Slovenian Philharmonic, Marjan Kozina Hall – Festival Slowind 2013
Pre-concert talk at 7 p.m. – guests: Vinko Globokar, Tomaž BajželjSlowind
ensemble unitedberlin
Programme:
LA PRISON
Vinko Globokar (b. 1934): La prison (2001) for eight instruments
Tomaž Bajželj (b. 1979): 350 opomb za pihalni kvintet (2013) for wind quintet
Vinko Globokar: Vendre le vent (1973)International Music Workshop
Thursday, October 10th, 2013Ljubljana, University of Ljubljana, Faculty of Arts, Aškerčeva 2, Ljubljana, “Modra soba” (5th floor) – Festival Slowind 2013
Organisation: Larisa Vrhunc
– Globokar’s place in music history of the late 20th century (Lecturer: Daniel Ender)
– Vinko Globokar – About and by his music (Lecturer: Tomaž Bajželj)
– Reflections of cultural globalization in New Music since the 1960s: “Problems of Itity” in works by European and East Asian composers (Lecturer: Christian Utz)
– Vinko Globokar: Answers to participants’ questions2nd concert
Friday, October 11th, 2013 at 8 p.m.
Ljubljana, Slovenian Philharmonic, Marjan Kozina Hall – Festival Slowind 2013
Slovenian Philharmonic Orchestra
conductor Vinko Globokar
soloist and conductor Matej Šarc
Programme:
LES OTAGES
Vinko Globokar (b. 1934): Fluide (1967) for nine brass instruments and three percussionists
Vinko Globokar: Ausstrahlungen (1972) for oboe solo and 12 performers
Vinko Globokar: Les otages (2002) for orchestra and sampler3th concert
Saturday, October 12th, 2013 at 8 p.m.
Ljubljana, Slovenian Philharmonic, Marjan Kozina Hall – Festival Slowind 2013
Pre-concert talk at 7 p.m. – guests: Bojana Šaljić Podešva, Michel PozmanterSlowind
Ensemble Aleph
Jérôme Thomas juggler
conductor Michel Pozmanter
Programme:
VARIÉTÉ
Bojana Šaljić Podešva (b. 1978): Bioritem spomina (2013) for wind quintet and electronics
Vinko Globokar (b. 1934): Par une forêt de symboles (1986) for six musicians ad libitum
Mauricio Kagel (1931–2008): Variété (1976/77) for juggler, clarinet (saxophone), violoncello, accordion, piano, percussion and conductor4th concert
Monday, October 14th, 2013 at 8 p.m.
Ljubljana, Slovenian Philharmonic, Marjan Kozina Hall – Festival Slowind 2013
Pre-concert talk at 7 p.m. – guests: Gudrun Schröfel, Stephan Meier
Ensemble S
Slowind
Slovenski tolkalni projekt/Slovenian Percussion Project
Jean-Charles François
Girls Choir Hannover
conductor Gudrun Schröfel
Programme:
L’IDÔLE
Vinko Globokar (b. 1934): Tribadabat extensif sur rhytme phantôme (1981) for many percussionists
Georges Aperghis (b. 1945): À bout de bras (1989) for oboe and clarinet
Vinko Globokar: ?Corporel (1985) for one percussionist
Michele Marelli (b. 1978): Voltfast 50 (2012) for woodwind quintet
Jean-Charles François (b. 1942): Dialogs of deafening gifted eavesdroppers (2009)
Vinko Globokar: L’Idôle (2012) for girls choir and four percussionists
5th concert
Monday, October 14th, 2013 at 10.30 p.m.Ljubljana, Slovenian Philharmonic, Marjan Kozina Hall – Festival Slowind 2013
Michele Marelli clarinet
Dominique Clément clarinet
Luka Juhart accordion
Programme:
HARLEKIN – late night concert
Luka Juhart (b. 1982): hrUP (2013) for accordion
Vinko Globokar (b. 1934): Dédoublement (1975) for clarinet
Karlheinz Stockhausen (1928–2007): Harlekin (1975) for clarinet
Vinko Globokar: Dialog über die Luft for accordion6th concert
Tuesday, October 15th, 2013 at 8 p.m.
Ljubljana, Slovenian Philharmonic, Marjan Kozina Hall – Festival Slowind 2013
Pre-concert talk at 7 p.m. – guests: Larisa Vrhunc, Vinko Globokar
Slowind
Ensemble S
Ensemble Aleph
Vinko Globokar
conductor Michel Pozmanter
Monica Jordan, Barbara Jernejčič Fürst mezzo-soprano
Programme:
L’EXILE
Larisa Vrhunc (b. 1967): Grajska (2013) for chamber ensemble
Vinko Globokar (b. 1934): L’exile Nr. 1
Luciano Berio (1925–2003): Folk Songs (1964) for mezzo-soprano, flute, clarinet, percussion, harp/guitar, viola and violoncello
Vinko Globokar: Kaleidoskop im Nebel (2013) for fifteen players and one improvizer - 14th FESTIVAL SLOWIND 2012
‘W E N I G E R L I C H T’
artistic direction
MATTHIAS PINTSCHER
SLOWIND1st concert of the Festival Slowind 2012
Saturday, 13th October 2012, at 20.00Ljubljana, Slovenska filharmonija (Slovenian Philharmonic), Marjan Kozina Hall − Festival Slowind 2012
Emanuele Torquati, Franco Venturini, Anna D’Errico – piano I, II in III
Nicoletta Sanzin, Valentina Baradello, Silvia Vicario – harp I, II in III
Jože Bogolin, Simon Klavžar, Matevž Bajde – percussion I, II in III
Matej Šarc, Nina Tafi – oboe
Jurij Jenko, Dušan Sodja – clarinet
Jože Kotar, Peter Kuder – basset horn
Paolo Calligaris, Miha Petkovšek – bassoon
Saar Berger, Metod Tomac, Jožek Rošer, Stefano Brusini – french horn
Zoran Marković – double bass
conductor Matthias Pintscher
Programme:
“LUMINARY PHRASES”
Pierre Boulez (b. 1925): Sur Incises (1996/98) for three pianos, three harps and three percussionists
Wolfgang Amadeus Mozart (1756−1791): Serenade, K 361, “Gran Partita” for thirteen instruments2nd concert – Late Night Concert of the Festival Slowind 2012
Saturday, 13th October 2012, at 22.30Ljubljana, Slovenska filharmonija (Slovenian Philharmonic), Marjan Kozina Hall − Festival Slowind 2012
Marisol Montalvo soprano
Matej Šarc oboe
Saar Berger french horn
Franco Venturini piano
Anna D’Errico piano
Klemen Leben accordion
Programme:
Robert Schumann (1810–1856): Drei Romanzen, Op. 94 for oboe and piano, played with horn
Matthias Pintscher (b. 1971): Figura III (2000) for akordeon
Franz Schubert (1797–1828): Auf dem Strom for soprano, horn and piano
Robert Schumann: Adagio und Allegro, Op. 70 for horn and piano, played with oboe
Nina Šenk (b. 1982): Art (2012) for soprano and horn – world premiere3th concert of the Festival Slowind 2012
Sunday, 14th October 2012, at 11.00Ljubljana, Slovenska filharmonija (Slovenian Philharmonic), Marjan Kozina Hall – Festival Slowind 2012
David Fulmer violin
Miran Kolbl violin
Garth Knox viola
Christophe Roy violoncello
Emanuele Torquati piano
Programme:
“ZIMMERMANN − SCHUMANN”
Bernd Alois Zimmermann (1918−1970): Sonata (1955) for viola solo
Robert Schumann (1810−1856): Sonata No. 1 in A minor, Op. 105 for violin and piano
Bernd Alois Zimmermann: Sonata (1951) for violin solo
Bernd Alois Zimmermann: Sonata (1960) for violoncello solo
Robert Schumann: Piano Quartet in E-flat major, Op. 47 for violin, viola, violoncello and piano4th concert of the Festival Slowind 2012
Sunday, 14th October 2012, at 20.00Ljubljana, Slovenska filharmonija (Slovenian Philharmonic), Marjan Kozina Hall − Festival Slowind 2012
Pre-concert talk with Larisa Vrhunc and Nina Šenk at 19.00Jurij Jenko clarinet
Saar Berger french horn
Garth Knox viola
Igor Mitrović violoncello
Milan Hudnik violoncello
Emanuele Torquati piano
Franco Venturini piano
Programme:
“SCHUMANN (−) TODAY”
Gérard Grisey (1946−1998): Les espaces acoustiques − Prologue (1976) for viola and live electronic
Robert Schumann (1810−1856): Märchenerzählungen, Op. 132 for clarinet, viola and piano
Larisa Vrhunc (b. 1976): Fabula (2012) for clarinet, viola and piano – world premiere
Miroslav Srnka (b. 1975): Coronae (2010) for french horn solo
Nina Šenk (b. 1982): Prelude (2012) for french horn, two violoncellos and two pianos – world premiere
Robert Schumann: Andante and Variations, Op. 46 for french horn, two violoncellos and two pianos5th concert of the Festival Slowind 2012
Monday, 15th October 2012, at 20.00Ljubljana, Slovenska filharmonija (Slovenian Philharmonic), Marjan Kozina Hall – Festival Slowind 2012
Pre-concert talk with David Fulmer at 19.00Slowind
Marisol Montalvo soprano
Eliot Gattegno saxophone
Matthew Conley trumpet
David Fulmer violin
Janez Podlesek violin
Garth Knox viola
Ana Glišić viola
Milan Hudnik violoncello
Jože Bogolin percussion
Simon Klavžar pecussion
Nicoletta Sanzin harp
Franco Venturini piano
Emanuele Torquati piano
conductor Matthias Pintscher
Programme:
“TWILLIGHT”
Matthias Pintscher (b. 1971): Study III for Treatise on the Veil (2007) for violin solo
György Kurtág (b. 1926): Fúvósötös [Wind Quintet], Op. 3 (1959)
David Fulmer (b. 1981): Himmelfahrt in die Tiefen der Nacht (2010/11) for saxophone solo, flute, clarinet, trumpet, percussions, violin, violoncello and piano
Matthias Pintscher: Lieder und Schneebilder (2000) for soprano and piano
Matthias Pintscher: a twilight’s song (1997) for bass flute, bass clarinet, viola, violoncello, percussion, harp, piano and soprano
Maurice Ravel (1875–1937): Introduction et Allegro (1905) for harp, flute, clarinet, two violins, viola and violoncello6th concert of the Festival Slowind 2012
Tuesday, 16th October 2012, at 20.00Ljubljana, Slovenska filharmonija (Slovenian Philharmonic), Marjan Kozina Hall − Festival Slowind 2012
Pre-concert talk with Matthias Pintscher at 19.00Slowind
Peter Kuder clarinet
Saar Berger french hornMatthew Conley trumpet
Marko Ilić trombone
Franco Venturini piano
Nicoletta Sanzin harp
Jože Bogolin percussion
Špela Mastnak percussion
David Fulmer violin
Janez Podlesek violin
Ana Glišić viola
Milan Hudnik violoncello
Petar Brčarević double bass
conductor Matthias Pintscher
Programme:
“ECLIPSE”
Anton Webern (1883−1945): Drei kleine Stücke, Op. 11 for violoncello and piano
Olga Neuwirth (b. 1968): torsion: transparent variation (2001) for bassoon solo with sampler; oboe, clarinet (bass clarinet), trumpet (picc trumpet), trombone, tenor Wagner tuba, percussion, violin, viola and violoncello
Kaija Saariaho (b. 1952): Lichtbogen (1986) for flute, percussion, harp, piano, two violins, viola, violoncello, double bass and electronics
Anton Webern (1883−1945): Drei kleine Stücke, Op. 11 for violoncello and piano
Matthias Pintscher (b. 1971): sonic eclipse (2009/10) for french horn solo, trumpet solo, flute, oboe, two clarinets, bassoon, horn, trumpet, trombone, harp, piano, percussions, two violins, viola, violoncello and double bassTICKETS:
Festival subscription: 30 €, 20 € *.
Individual concert ticket: 10 €, 7 € *.
*discount for students, pensioners and subscribers to the Slovenian Philharmonic concerts.Presales of subscriptions and individual tickets: the box office of the Slovenian Philharmonic.
Info: (01) 24 10 810. - 13th FESTIVAL SLOWIND 2011
‘ELLIOTT CARTER’S TEMPO E TEMPI’
Slowind with guest
in cooperation with the Embassy of the United States of America in Slovenia and kind support by the Ernst von Siemens Musikstiftung
1st Concert of the Festival Slowind 2011
November 9, 2011 at 20.00Ljubljana, Slovenska filharmonija (Slovenian Philharmonic), Marjan Kozina Hall – Festival Slowind 2011
Pre-concert talk at 19.00; Guests: John Link, Ursula Oppens, Janez Matičič
Slowind with guests
conductor, flute Robert Aitken
Ursula Oppens piano
Coline-Marie Orliac harp
Barbara Jernejčič Fürst mezzosoprano
Programme:
“ENCHANTED”
Elliott Carter (b. 1908): Enchanted Preludes (1988) for flute and violoncello
Aaron Copland (1900-1990): As It Fell Upon a Day (1944) for mezzosoprano, flute and clarinet
Elliott Carter: Three Musicians (2011) for flute, bass clarinet and harp
Janez Matičič (b. 1926): Géodes (1998) for percussion and piano
Elliott Carter: Night Fantasies (1980) for piano solo
Elliott Carter: A Mirror on Which to Dwell (1975) for mezzosoprano, flute (piccolo, alto flute), oboe (corno inglese), clarinet (Eb clarinet, bass clarinet), percussion, piano, violin, viola, violoncello and double bassNovember 10 and 11, 2011 at 19.30
Ljubljana, Cankarjev dom, Gallusova dvorana (Gallus hall) – Slovenian Philharmonic Subscription Concerts
Slovenian Philharmonic Orchestra
conductor Emmanuel Villaume
Programme:
Elliott Carter (b. 1908): Three Occasions (1986-1989)
Elliott Carter: Sound Fields (2007)
Gustav Mahler (1860-1911): Das Lied von der ErdeNovember 13, 2011 at 20.00
Ljubljana, Slovenska filharmonija (Slovenian Philharmonic), Slavko Osterc Hall – Festival Slowind 2011
ELLIOTT CARTER – A LABIRYNTH OF TIME
A documentary film by Frank Scheffer.“Unique insights into the composer’s artistic philosophy and character.” www.bbc.co.uk
2nd Concert of the Festival Slowind 2011
November 14, 2011 at 20.00Ljubljana, Slovenska filharmonija (Slovenian Philharmonic), Marjan Kozina Hall – Festival Slowind 2011
Pre-concert talk at 19.00; Guests: Božidar Kos, Elliott Carter
Slowind with guests
conductors Robert Aitken, Simon Krečič
Programme:
“NINE BY FIVE OR NINE”
Elliott Carter: Sonata (1952) for flute, oboe, violoncello and harpsichord
Elliott Carter: Nine by Five (2009) for flute (piccolo), oboe (corno inglese), clarinet (bass clarinet), horn and bassoon (contrabassoon)
Walter Piston (1894-1976): Divertimento for Nine Instruments (1946) for flute, oboe, clarinet, bassoon, 2 violins, viola, violoncello and double bass
Božidar Kos (b. 1934): Fata Morgana (2004) for flute, clarinet, vibraphone/marimba, violin and violoncello
Elliott Carter: Triple Duo (1983) for flute (piccolo), clarinet (Eb clarinet, bass clarinet), percussion, piano, violin and violoncello
November 14 and 15, 2011International Workshop “ELLIOTT CARTER’S TEMPO E TEMPI” – Festival Slowind 2011
University of Ljubljana, Faculty of Arts
Lecturer: John Link
Organization and moderation: Larisa Vrhunc and Simone Heilgendorff
3th Concert of the Festival Slowind 2011
November 15, 2011 at 20.00Ljubljana, Slovenska filharmonija (Slovenian Philharmonic), Marjan Kozina Hall – Festival Slowind 2011
Pre-concert talk at 19.00; Guests: Lojze Lebič, Robert Aitken
Slowind with guests
conductors Robert Aitken, Simon Krečič
Robert Aitken flute
Programme:
“SCRIVO IN VENTO”
Elliott Carter (b. 1908): Woodwind Quintet (2001)
Elliott Carter: Scrivo in Vento (1991) for flute solo
Elliott Carter: Gra (1993) for clarinet solo
Lojze Lebič: Kons (b) (1968) for 3 clarinets, percussion, harp, 2 violins, viola and violoncello
Lojze Lebič (b. 1934): Kons(a) (1970) for flute, clarinet, horn, percussion, piano, harp, violin, viola and violoncello
Witold Lutosławski (1913-1994): Slides [Przezrocza] (1988) for flute, oboe, clarinet, bassoon, horn, percussion, piano, violin, viola, violoncello and double bass’
Elliott Carter: Flute Concerto (2008) for flute solo, flute (piccolo), oboe (corno inglese), clarinet, bass clarinet, bassoon (contrabassoon), 2 trumpets, hornn, trombone, percussion, harp, piano and strings
4th Concert of the Festival Slowind 2011
November 16, 2011 at 20.00Ljubljana, Slovenska filharmonija (Slovenian Philharmonic), Marjan Kozina Hall – Festival Slowind 2011
Pre-concert talk at 19.00; Guest: Robert Aitken
Slovenian Chamber Choir
conductor Martina Batič
Slovenian Percussion Duo
Programme:
“CANTO”
Elliott Carter: Saëta in March (1950/66) for four timpani
Elliott Carter (b. 1908): Tarantella (1936) for male choir and piano four hands
Elliott Carter: Recitativo and Improvisation (1950/66) for four timpani
Robert Aitken (b. 1939): Monody (1983) for flute solo and mixed choir
Elliott Carter: Adagio and Canto (1950/66) za timpane solo
Elliott Carter: Heart Not So Heavy As Mine (1938) za mešani zbor a cappella
Isang Yun (1917-1995): Novelette (1980) for flute, harp, violin and violoncello
Elliott Carter: Moto Perpetuo in Canaries (1950-66) for four timpani
Elliott Carter: The Defense of Corinth (1941) for speaker, male voices and piano four hands
Elliott Carter: Let’s Be Gay (1937) for female choir and two pianos
5th Concert of the Festival Slowind 2011
November 18, 2011 at 20.00Ljubljana, Slovenska filharmonija (Slovenian Philharmonic), Marjan Kozina Hall – Festival Slowind 2011
Pre-concert talk at 19.00; Guest: John Link
Slowind with guests
conductor Robert Aitken
Ursula Oppens piano
Coline-Marie Orliac harp
Barbara Jernejčič Fürst mezzosoprano
Programme:
“TEMPO E TEMPI”
Elliott Carter (b. 1908): Esprit Rude/Esprit Doux II (1994) for flute, clarinet and marimba
Elliott Carter: Trilogy (1992) for oboe and harp
Elliott Carter: Quintet (1991) for piano and winds
Elliott Carter: Tempo e Tempi (1998-99) for mezzosoprano, oboe (corno inglese), clarinet (bass clarinet), violin and violoncello
Elliott Carter: Retracing (2002) for bassoon solo; Retracing II (2009) for french horn solo, Retracing III (2009) for trumpet solo
Elliott Carter: Mosaic (2004) for harp, flute (alto flute, piccolo), oboe (corno inglese), clarinet (bass clarinet), violin, viola, violoncello and double bass - 12th FESTIVAL SLOWIND 2010
‘An Old Festival of the Newest Music’
Altera Veritas (Riga)
Ensemble Aleph (Paris)
7 October 2010 at 20.00
Ljubljana, Slovenian Philharmonic, Marjan Kozina Hall – Festival Slowind 2010
Pre-concert talk at 19.15 (Slavko Osterc Hall) with Altera Veritas and Aleph members
conductor Simon Krečič
Programme:
Alexandra Filonenko (Ukraine/Germany): Das druckende Fehlen eines erschaffenden Raums… (2009) for clarinet, accordion, violin, cello, trumpet and percussion
Diana Molvik (Latvia): Manuscript for flute, accordion and 2 kokles
Dominique Clement (France): Wind Quintet
Malin Bang (Sweden): Faces and moon splinters (2009) for voice, clarinet, violin, cello, trumpet and piano
Santa Bušs (Latvia): Intim (2008) for wind quintet
Imants Mežaraups (Latvia): BitterSuite (2010) for flute, accordion, 2 kokles and wind quintet (Commision of Altera Veritas for the 12th Festival Slowind 2010 and LIEU)8 October 2010 at 20.00
Ljubljana, Slovenian Philharmonic, Marjan Kozina Hall – Festival Slowind 2010
Pre-concert talk at 19.15 (Slavko Osterc Hall) with composer Bojana Šaljić Podešva
Programme:
Pablo Galaz Salamanca (Chile): El ruido de la memoria (2009) for bass clarinet, violin, cello, trumpet, piano and percussion
Andris Dzenītis (Latvia): Nāves dēsts. Dzīves dēsts (Der Todeskeim. Der Lebenskeim) (2000) for flute and 2 kokles
Bojana Šaljić Podešva (Slovenia): Prepih (2010) for wind quintet and electronics (World premiere, Commision of Slowind Wind Quintet for the 12th Festival Slowind 2010 and LIEU)
Bernard Cavanna (France): Fauve (1994) for violin solo
Aurel Stroë (Romunia/France): Quintandre (Hommage à Varèse) (1982) for wind quintet
Nikolay Khrust (Russia): Prometheus. Sliding time (2009) for voice, clarinet, violin, cello, didgeridoo, piano and percussion9 October 2010 at 20.00
Ljubljana, Slovenian Philharmonic, Marjan Kozina Hall – Festival Slowind 2010
Pre-concert talk at 19.15 (Slavko Osterc Hall) with composer Niels Rosing-Schow
Programme:
Analia Beatriz Llugdar (Argentina/ZDA): Kre pouc te for soprano, clarinet, violin, cello, trumpet, piano and percussion
Ēriks Ešenvalds (Latvia): Cryptic (2002) for flute, accordion and 2 kokles
Nicolas Tzortzis (Greece/France): Amenable (2009) for clarinet, violin, cello, piano and percussion
Marco Stroppa (Italy/France): Ossia, seven strophes for a literary drone (2005) for violin, cello and piano
Niels Rosing-Schow (Denmark): New work (2010) for violin, cello, accordion and 2 kokles (World premiere, Commision of the Ensemble Aleph for the 12th Festival Slowind 2010 and LIEU)10 October 2010 at 20.00
Ljubljana, Slovenian Philharmonic, Marjan Kozina Hall – Festival Slowind 2010
LIEU General Meeting11 October 2010 at 20.00
Ljubljana, Slovenian Philharmonic, Marjan Kozina Hall – Festival Slowind 2010
Pre-concert talk at 19.15 (Slavko Osterc Hall) with composer Neville Hall
Programme:
Neville Hall (New Zealand/Slovenia):
– eye-glitter out of black air 1 (2010) for wind quintet (World premiere, Commision of Slowind Wind Quintet for the 12th Festival Slowind 2010 and LIEU)
– and, out of nothing, a breathing, hot breath on my ankles (2000) for flute solo
– beasts like shadows in glass (2003) for horn solo
– now ivory silence (2007) for clarinet solo (World premiere)
– a furred tail upon nothingness (2008) for oboe solo (World premiere)
– lifeless air become sinewed (2009) for bassoon solo (World premiere)
– eye-glitter out of black air 2 (2010) for wind quintet (World premiere, Commision of Slowind Wind Quintet for the 12th Festival Slowind 2010 and LIEU)12 October 2010, from 11.00 till 18.00
International Workshop – COMPOSING AS PRACTICE
University of Ljubljana, Faculty of Arts, Aškerčeva 2, Ljubljana, “Modra soba” (5th floor)
A discussion (in English) with composers, guests of the 12th Festival Slowind 2010 for musicians, composers, musicologists, students of music and musicology and any other professionals
Lecturers:
Gérard Buquet
Neville Hall
Nieles Rosing-Schow
Jean-Charles François
Dominique Clément12 October 2010 at 20.00
Ljubljana, Slovenian Philharmonic, Marjan Kozina Hall – Festival Slowind 2010
Pre-concert talk at 19.15 (Slavko Osterc Hall) with composers Gérard Buquet, Jean-Charles François and Alfred Huber
Andrea Rucli piano
Oskar Laznik saxophone
conductor Simon Krečič
Programme:
Vittorio Montalti (Italy): Nu descendant un escalier (2008) for clarinet, violin, cello, piano and percussion
Mari Kamimoto (Japan) Parfum de la nuit (2009) for voice, clarinet, bass clarinet, violin, cello, accordion and percussion
Gundega Šmite (Latvia): Skatoties… Sapnojot.. (2003) for flute, accordion and 2 kokles
Gérard Buquet (France): L’enclume des forces (2010) for bass clarinet and wind quintet (World premiere, Commision of the Ensemble Aleph for the 12th Festival Slowind 2010 and LIEU)
Jean-Charles François (France): Slam de la Mund Alienation for soprano and percussion
Alfred Huber (Germany): Sextet (2010) (first performance) for piano and wind quintet
Nina Šenk (Slovenia): …glitzert, flimmert, vergeht… (2010) for soprano and large ensemble (World premiere, Commision of Slowind Wind Quintet for the 12th Festival Slowind 2010 and LIEU) - 11th FESTIVAL SLOWIND 2009
Varèse – Before and After
Featured ensembles:
KAIROS Quartet
SToP – Slovenian Percussion Project
TASF – Slovenian Philharmonic Brass Ensemble
October 10, 2009 from 10.30 until 18:00
University of Ljubljana, Faculty of Arts, Aškerčeva 2, Ljubljana, “Modra soba” (5th floor)
INTERNATIONAL WORKSHOP for musicians, composers, musicologists, students of music and musicology and any other professionals (in English)
lecturer Prof Chou Wen-chung – Composer, Professor Emeritus at Columbia Universiy, New York, Varèse’s last assistant and editor
Programme:
Edgard Varese: Insights on the man and his music
A discussion of Déserts, his magnum opus, in which Varèse declares his vision for the future of music.
October 10, 2009 at 20:00Ljubljana, Slovenska filharmonija (Slovenian Philharmonic), Marjan Kozina Hall – Festival Slowind 2009
Pre-concert talk at 19.15 with the composer Mihael Paš
Slowind Wind Quintet
KAIROS Quartet
SToP – Slovenian Percussion Project
TASF – Slovenian Philharmonic Brass Ensemble
conductor Robert Aitken
Programme:
André Jolivet: Cérémonial – Hommage a Varese for six percussionists
Mihael Paš (b. 1970): New Work for woodwind quintet, piano, axe and electronic
Chou Wen-chung (b. 1923): Echoes from the Gorge for four percussionists
Chou Wen-chung: Introduction with the dias to the work Déserts
Edgard Varese (1883-1965): Déserts (1950-54, rev. 1961)
October 11, 2009 at 20:00Ljubljana, Slovenska filharmonija (Slovenian Philharmonic), Marjan Kozina Hall – Festival Slowind 2009
Pre-concert talk at 19.00 with the composer Petra Strahovnik
Slowind Wind Quintet
KAIROS Quartet
SToP – Slovenian Percussion Project
TASF – Slovenian Philharmonic Brass Ensemble
conductor Robert Aitken
Barbara Jernejčič Fürst mezzo-soprano
Programme:
Edgard Varese (1883-1965): Offrandes
Albert Roussel: Deux Poemes de Ronsard, op. 26 for soprano and flute
Chou Wen-chung: Twilight Colors
Albert Roussel: Divertissement, op. 6 for flute, oboe, clarinet, horn, bassoon and piano
Carlos Salzedo: Concerto for harp and seven wind instruments
Petra Strahovnik: Indigo for wind quintet, two percussionists and tape
Claude Debussy (arr. Benno Sachs): Prélude à l’Après-midi d’un Faune
October 12, 2009 at 21:00Ljubljana, Kinodvor (The Dvor Cinema)
Slowind Wind Quintet
KAIROS Quartet
SToP – Slovenian Percussion Project
TASF – Slovenian Philharmonic Brass Ensemble
conductor Robert Aitken
Programme:
Edgard Varese (1883-1965): Octandre (1923)
Edgard Varese: Density 21.5 (1936, rev. 1946) for flute solo, Bis Edition 1936
Pogovor z Chou Wen-chungom
The One All Alone – A film by Franka Schefferja (2008)
October 13, 2009 at 20:00Ljubljana, Slovenska filharmonija (Slovenian Philharmonic), Marjan Kozina Hall – Festival Slowind 2009
Pre-concert talk at 19.00 with the composer Vasja Progar
Slowind Wind Quintet
KAIROS Quartet
SToP – Slovenian Percussion Project
TASF – Slovenian Philharmonic Brass Ensemble
conductor Robert Aitken
Programme:
Edgard Varese: Hyperprism (1922-23)
Ferruccio Busoni (arr. Erwin Stein): Berceuse, élègiaque. Des Mannes Wiegenlied am Sarg seiner Mutter, op. 42
Carl Ruggles: Angels for four trumpets and three trombones
Vasja Progar: New Work for wind quintet
Edgard Varese: Intégrales (1925)
Edgard Varese: Ionisation (1929-31) for 13 percussionists
14. oktober 2009, ob 20:00Ljubljana, Slovenska filharmonija (Slovenian Philharmonic), Marjan Kozina Hall – Festival Slowind 2009
KAIROS Quartet
Programme:
Claude Debussy: String Quartet
Julio Estrada (1943): Canto mnémico Fugue en 4 dimensions
Iannis Xenakis (1922-2001): st/4 – 1,080262 [1955-62] Giorgio Netti (1963): )place( [2001] - 10th FESTIVAL SLOWIND 2008
October 8, 2008
Ljubljana, Great Hall of Slovenian Philharmonic – Festival Slowind 2008
Wind Quintet Slowind with Guests
Matthias Würsch percussion, glass harmonica, wine
Programme:
“A TOAST”
N. Firšt: Ogledalo sanj for wind quintet (world premiere, commission of Festival Slowind 2008)
Luciano Berio: Sequenza IXa for clarinet
Vinko Globokar: Toucher for percussionist
Wolfgang Amadeus Mozart: Adagio and Rondo in C Minor, K 617 for glass harmonica, flute, oboe, viola and cello
Georges Aperghis: Le corps à corps for percussionist and a glass of wine
Darius Milhaud: La Cheminée du Roi René, op. 205
October 21, 2008Ljubljana, Great Hall of Slovenian Philharmonic – Festival Slowind 2008
Slowind Wind Quintet with Guests
conductor Matej Šarc
Programme:
“UN POCO, POI MENO E MENO MAESTOSO”
F. Mendelssohn-Bartholdy: Nocturno in C Major, Op. 24, “Doberaner Bademusik” for flute, oboes, clarinets, bassoons, horns, trumpet and contrabassoon
Luciano Berio: Sequenza VIIa for oboe
Mátyás Seiber: Permutazioni
Hans Krása: Chamber music for harpsichord and seven instruments – Arr. Joža Karas
Mauricio Kagel: Tribun. Zehn Märsche um den Sieg zu verfehlen for flute, clarinets, saxophone, bassoon, contrabassoon, horns, trumpet, trombone, tuba and percussion
November 10, 2008Ljubljana, Great Hall of Slovenian Philharmonic – Festival Slowind 2008
Slowind Wind Quintet with Guests
Programme:
“NATURE, FAITH, RITUAL. THE NEW WORLD.”
Olivier Messiaen: Črni kos (Le merle noir) for flute and piano
Luciano Berio: Sequenza XII for bassoon
Paul Hindemith: Septet for flute, oboe, clarinet, bass clarinet, bassoon, horn and trumpet
Ruth Crawford Seeger: Suite
Elliott Carter: Canon for three Instruments “In Memoriam Igor Stravinsky”
Igor Fjodorovič Stravinski: Octet for flute, clarinet, two bassoons, two trumpets and two trombones
November 24, 2008Ljubljana, Great Hall of Slovenian Philharmonic – Festival Slowind 2008
Slowind Wind Quintet with Guests
Programme:
“A CARROUSEL OF SENSUOUS STATUES”
Wolfgang Amadeus Mozart: Serenada v Es-duru K 375 for two oboes, two clarinets, two horns and two bassoons
Nana Forte: “o smrti sonnet” from cycle Vrtiljak čutečih kipov for wind quintet and percussion (world premiere, commission of Festival Slowind 2008)
Luciano Berio: Sequenza I for flute
Ludvig van Beethoven: Octet in E flat Major, Op. 103 for two oboes, two clarinets, two horns, two bassoon
December 15, 2008Ljubljana, Great Hall of Slovenian Philharmonic – Festival Slowind 2008
Slowind Wind Quintet with Guests
Barbara Jernejčič mezzo-soprano
Programme:
“UN(MELODIC)”
Arnold Schönberg: ‘Pierrot lunaire’, op. 21 for voice, piano, flute / piccolo flute, clarinet / bass clarinet, violin / viola and cello
Antonín Dvořák: Serenade in D Minor, Op. 44 for two oboes, two clarinets, two bassoons, three horns, cello and double bass - FESTIVAL SLOWIND 2007
October 8, 2007
Ljubljana, Great Hall of Slovenian Philharmonic – Festival Slowind 2007
Ensemble Aleph
Programme:
Vinko Globokar: Métamorphoses parallèles for viola, piano and liveelectronics
Arnold Schönberg: Trio for violin, viola and cello
Jean-Pierre Drouet: Heureux for voice, clarinet, accordion and percussion
Giacinto Scelsi: Canti del capricorno for voice
Camille Roy: Parmi l’arbre for violin and cello
Bruno Giner: Charlie – chamber opera for female voice, clarinet, piano, percussion, violin and cello on the text Matin brun by Frank Pavlov (world premiere, commission of Festival Slowind 2007)
October 10, 2007Ljubljana, Great Hall of Slovenian Philharmonic – Festival Slowind 2007
Divertimento Ensemble
conductor Sandro Gorli
Programme:
Franco Donatoni: Arpège for flute, clarinet, piano, vibraphone, violin and cello
Sandro Gorli: La stanza segreta for flute, clarinet, piano, violin, viola and cello
Vinko Globokar: Substitution anonyme zfor flute, clarinet, piano, violin, viola and cello (world premiere, commission of Festival Slowind 2007)
Gérard Grisey: Vortex temporum for flute, clarinet, piano, violin, viola and cello
October 12, 2007Ljubljana, Great Hall of Slovenian Philharmonic – Festival Slowind 2007
Ensemble Aleph
Slowind Wind Quintet
conductor Sandro Gorli
Programme:
Nina Šenk: Kontrasti for wind quintet (world premiere, commission of Festival Slowind 2007)
Dominique Clement: Chaud-Froid for clarinet
Vinko Globokar: Pendulum for cello
Samir Odeh-Tamini: Ahinnu II for flute (piccolo), oboe, clarinet (bass clarinet), percussion, violin, viola and cello
Alessandro Solbiati: Vivente for flute (alto flute and bass flute), oboe (cor anglais), clarinet (Eb clarinet and bass clarinet), trumpet, trombone, piano, percussion, violin, viola and cello (world premiere, commission of Festival Slowind 2007)
October 13, 2007Ljubljana, Great Hall of Slovenian Philharmonic – Festival Slowind 2007
Divertimento Ensemble
Ensemble Aleph
Slowind Wind Quintet
conductor Vinko Globokar
Programme:
Vinko Globokar: Terres Brullées ensuite … for piano, saxophone(s), percussion and tape
Matej Bonin: Daleč od blizu ) for wind quintet (world premiere, commission of Festival Slowind 2007)
Helmut Oehring: Gestauchte Winkel for oboe, bass clarinet, horn, bassoon and trombone
Larisa Vrhunc: Na robu tišine for chamber orchestra (world premiere, commission of Festival Slowind 2007)
Vinko Globokar: Blinde Zeit for flute, piccolo trumpet, violin, viola, cello, piano and percussion
October 16, 2007Ljubljana, Great Hall of Slovenian Philharmonic – Festival Slowind 2007
Maria Grazia Bellocchio piano
Programme:
Pascal Dusapin: Tre studi per pianoforte
Matthias Pintscher: On a clear day
Sandro Gorli: Gaia
Franco Donatoni: Françoise Variationen - FESTIVAL SLOWIND 2006
October 10, 2006
Ljubljana, Great Hall of Slovenian Philharmonic – Festival Slowind 2006
Pihalni kvintet Slowind
dirigent Heinz Holliger
Muriel Cantoreggi violina
Alexander Lonquich klavir
Programme:
Robert Schumann: Three romances, Op. 94 for oboe and piano
Robert Schumann: Sonata No. 2 in D Minor, Op. 121 for violin and piano
Robert Schumann: Piano quintet in E flat Major, Op. 44 (arr. Christian Hommel) for piano and strings
Heinz Holliger: Partita for piano
Heinz Holliger: Trema for violin solo
Heinz Holliger: Kvintet for piano and windsOctober 14, 2006
Ljubljana, Great Hall of Slovenian Philharmonic – Festival Slowind 2006
Slowind Chamber Ensemble
conductor Heinz Holliger
Sylvia Nopper soprano
Christiane Iven mezzo-soprano
Hans-Jürg Rickenbacher tenor
David Wilson-Johnson bass-baritone
Programme:
Franz Joseph Haydn: L’isola disabitata (concert version)October 18, 2006
Ljubljana, Great Hall of Slovenian Philharmonic – Festival Slowind 2006
Slowind Chamber Ensemble
conductor Heinz Holliger
Muriel Cantoreggi violin
Alexander Lonquich piano
Programme:
Wolfgang Amadeus Mozart: Serenade in C Minor, KV 388 “Nacht Musique”
Alban Berg: Chamber Concerto for piano, violin and thirteen winds - FESTIVAL SLOWIND 2005
October 10, 2005
Ljubljana, Great Hall of Slovenian Philharmonic – Festival Slowind 2005
Accroche Note (France)
Programme:
Pascal Dusapin: Anacoluthe for female voice, clarinet and double bass
Giacinto Scelsi: Okagagon for harp, double bass and percussion
Michael Jarrell: Eco III for soprano and harp
Georges Aperghis: Monomanies for soprano
Dominique Lemaître: Ptah for bass clarinet
Marc Monnet: Trois chansons imprévues for soprano, clarinet and double bassOctober 11, 2005
Ljubljana, Great Hall of Slovenian Philharmonic – Festival Slowind 2005
Slowind & Accroche Note
Programme:
Tadeja Vulc: Doživetja for wind quintet and harp (world premiere, commission for Festival Slowind 2005)
Pascal Dusapin: So Full of Shapes is Fancy for soprano and bass clarinet
Giacinto Scelsi: Ko-Lho for flute and clarinet
Salvatore Sciarrino: Fauno che fischia a un merlo for flute and harp
Giacinto Scelsi: Ixor for oboe
Salvatore Sciarrino: Muro d’orizzonte for alto flute, cor anglais and bass clarinet
Urška Pompe: Almost a loneliness for wind quintet and soprano (world premiere, commission for Festival Slowind 2005)12. oktober 2005
Ljubljana, Great Hall of Slovenian Philharmonic – Festival Slowind 2005
Ensemble SurPlus (Freiburg, Germany)
conductor James Avery
Programme:
Michael Quell: Ekstare for flute, oboe, violin, viola and cello
Chaya Czernowin: INA for bass flute and six pre-recorded bass and piccolo flutes
Gerald Eckert: Gefaltetes Moment for flute, clarinet, percussion, violin and cello
Giacinto Scelsi: Trio for violin, viola and cello
Salvatore Sciarrino: D’un faune for alto flute and piano
Stefan Wolpe: Piece for oboe, cello, percussion and piano
October 13, 2005
Ljubljana, Great Hall of Slovenian Philharmonic – Festival Slowind 2005
Slowind & SurPlus
conductor Jürg Wyttenbach
James Avery conductor, piano
Programme:
Bor Turel: Play – Igra in five scenes or wind quintet and tape (Slovene premiere)
Salvatore Sciarrino: Centauro marino for clarinet, violin, viola, cello and piano
Giacinto Scelsi: Hyxos for alto flute, two gongs and cow-bell
Gérard Grisey: Talea for flute, clarinet, piano, violin and cello
Michael Norris: Momenta for flute, oboe, bassoon, piano, viola, cello and double bass
Jürg Wyttenbach: Serenade vor LuftschlössernOctober 14, 2005
Ljubljana, Great Hall of Slovenian Philharmonic – Festival Slowind 2005
Slowind & Accroche Note & SurPlus
conductor James Avery
conductor Jürg Wyttenbach
Programme:
Dieter Mack: Kammermusik IV for soprano and chamber ensemble (world premiere, commission of SurPlus for the Festival Slowind 2005)
Salvatore Sciarrino: Raffigurar Narciso al fonte for two flutes, two clarinets and piano
Neville Hall: With a sky wet as ocean, flowing with liquid slate for chamber ensemble (world premiere, commission of Slowind for the Festival Slowind 2005)
Pascal Dusapin: Comoedia for soprano and six instruments (piccolo, cor anglais, bass clarinet, horn, violin and viola)
Giacinto Scelsi: Pranam II for two flutes, bass clarinet, horn, organ, violin, viola, cello and double bass
Dominique Lemaître: Les Ailes de l’Augure for soprano and thirteen instruments (world premiere, commission of SurPlus for the Festival Slowind 2005) - FESTIVAL SLOWIND 2004
October 6, 2004
Ljubljana, RTV Slovenia, Studio 14 – Festival Slowind 2004
Slowind Chamber Orchestra
conductor Steven Loy
Programme:
Martin Smolka: Quod licet bovi for flute, oboe, clarinet, horn, bassoon, tenor saxophone, percussion and strings
Tomasz Sikorski: Zerstreutes Hinausschauen (arr. M. Smolka)
Martin Smolka: Hudba hudbička for piccolo, flute, oboe, clarinet, trumpet, soprano, violin, viola, cello and double bass
Pawel Szymański: Quasi una Sinfonietta for flute, oboe, clarinet, bassoon, horn, trumpet, trombone, percussion, piano, two violins, viola, cello and double bass
Steve Reich: Eight lines for two flutes (piccolo), clarinets (bass clarinet), pianos, four violins, two violas and two cellosOctober 19, 2004
Ljubljana, RTV Slovenia, Studio 14 – Festival Slowind 2004
Slowind Wind Quintet
Duo Contour
Melina Todorovska cor anglais
Igor Mitrović cello
Programme:
Younghi Pagh-Paan: Ta-Ryong IV for percussion
Cornelius Schwehr: Pastorale for flute, oboe, clarinet, trumpet, horn and bassoon
Igor Majcen: In Nomine II (world premiere)
Igor Majcen: Battaglia for trumpet and percussion
Wolfgang Rihm: Deploration for flute, cello and percussion
Brian Ferneyhough: Prometheus for flute, oboe, cor anglais, clarinet, horn and bassoonNovember 10, 2004
Ljubljana, RTV Slovenia, Studio 14 – Festival Slowind 2004
Slowind Wind Quintet
Darko Gorenc percussion
Melina Todorovska cor anglais
Dušan Sodja bass clarinet
Programme:
Ivo Nilsson: Apnea (world premiere)
Volker Staub: No. 19, VII. part for two trunks
Morton Feldman: Instruments 3 for flute, oboe and percussion
Johannes Fritsch: Ezs am Tiez for flute, oboe, cor anglais, clarinet, bass clarinet and bassoon (world premiere)
Volker Staub: Perzeidi for flute, oboe, clarinet, horn and bassoon (world premiere)November 30, 2004
Ljubljana, RTV Slovenia, Studio 14 – Festival Slowind 2004
Slowind Wind Quintet with Guests
conductor Uroš Rojko
Duo ‘Points of Contact’
Klara Tomljanović guitar
Programme:
UROŠ ROJKO
Ottoki – cycle
Chiton for guitar
Septetto fluido for flute, oboe, clarinet, horn, bassoon, double bass and piano
Calm down for recorders and percussion
Ironica for flute, double bass and piano
Dice-Song for recorder, flute, oboe, clarinet, horn, bassoon, double bass, guitar, piano and percussion (world premiere) - FESTIVAL SLOWIND 2003
October 14, 2003
Ljubljana, Great Hall of Slovenian Philharmonic – Festival Slowind 2003
Slowind Chamber Orchestra
conductor Heinz Holliger
Christiane Iven mezzo-soprano
Steven Davislim tenor
Programme:
Arnold Schönberg: Chamber Symphony No. 1, Op. 9
Gustav Mahler: Das Lied von der Erde (transcription for tenor, alto and chamber orchestra by A. Schoenberg / R. Riehn)October 29, 2003
Ljubljana, Great Hall of Slovenian Philharmonic – Festival Slowind 2003
Slowind Chamber Orchestra
conductor James Freemann
Programme:
Gerald Levinson: Time of the Bell for piano and chamber ensemble
Joseph Schwanter: Distant Runes and Incantations for piano and chamber ensemble
Lucas Foss: The Cave of the Winds
Timothy Greatbatch: A Clockword Legend for double bass and chamber ensembleNovember 19, 2003
Ljubljana, Great Hall of Slovenian Philharmonic – Festival Slowind 2003
Slowind Chamber Orchestra
Arvid Engegård conductor, violin
Programme:
Franz Schubert: Octet in F Major, Op. 166 (D 803*)
Wolfgang Amadeus Mozart: Serenade in D Major, KV 320, “Post horn”December 10, 2003
Ljubljana, Great Hall of Slovenian Philharmonic – Festival Slowind 2003
Slowind Chamber Orchestra
Robert Aitken conductor, flute
Programme:
Iannis Xenakis: Phlegra
Gilles Tremblay: “… le sifflement des vents porteurs de l’amour …”
Robert Aitken: Folia
Johannes Brahms: Serenade in D Major, Op. 11 - FESTIVAL SLOWIND 2002
October 2, 2002
Ljubljana, RTV Slovenia, Studio 14 – Festival Slowind 2002
Slowind Wind Quintet with Guests
Programme:
Manuel de Falla: Concerto for harpsichord, flute, oboe, clarinet and cello
Jürg Wyttenbach: Flute-Alors! or Suites des “Grimaces de Pallas Athenae”
Luciano Berio: Opus No. Zoo, children’s play
Jürg Wyttenbach: Laut Käfig – cycle of 17 haiku by Issa and other Japanese poets for soprano and harp
Sandor Veress: Sonatina for oboe, clarinet and bassoon
Modest Mussorgski: The Nursery – song cycle (arr. Jürg Wyttenbach)October 23, 2002
Ljubljana, RTV Slovenia, Studio 14 – Festival Slowind 2002
Slowind Wind Quintet
Programme:
Zbigniew Rudzinski: Studium on C
Srečko Koporc: Epizodes for flute, clarinet and bassoon
Milko Kelemen: Rontondo for oboe, clarinet and bassoon
Lojze Lebič: Dogodki II (world premiere)
György Kurtag: Quintet, Op. 2
Carl Nielsen: Quintet, Op. 4313. november 2002
Ljubljana, RTV Slovenia, Studio 14 – Festival Slowind 2002
Slowind Wind Quintet
Vinko Globokar trombone
Melina Todorovska cor anglais
Programme:
Vinko Globokar: Oblak semen or mobile trombone player
Karlheinz Stockhausen: Adieu
Vinko Globokar: Dos à Dos for horn and trombone
Vinko Globokar: Avguštin, dober je vin (world premiere)
Karlheinz Stockhausen: Spiral for shortwave receiver and trombone
Karlheinz Stockhausen: Zeitmasze for flute, oboe, cor anglais, clarinet and bassoonNovember 27, 2002
Ljubljana, RTV Slovenia, Studio 14 – Festival Slowind 2002
Slowind Wind Quintet with Guests
Programme:
Edgard Varese: Octandre for flute, oboe, clarinet, bassoon, horn, trumpet, trombone and double bass
Božidar Kos: Little fantasy or flute/piccolo, oboe/cor anglais, two clarinets (2. bass clarinet), horn, trumpet, trombone, percussion, harp and piano
Božidar Kos: Three Movements for flute, trombone, percussion and piano
Toru Takemitsu: Rain Spell for flute, clarinet, harp, piano and vibraphone
Elliott Carter: Eight Etudes and a Fantasy for flute, oboe, clarinet and bassoon - FESTIVAL SLOWIND 2001
October 9, 2001
Ljubljana, RTV Slovenia, Studio 14 – Festival Slowind 2001
Slowind Wind Quintet
James Avery piano
Programme:
Darius Milhaud: Sonata, Op. 47
Mario Dawidowsky: Synchronisms No. 6
Bruno Maderna: Honeyreves
Elliott Carter: Wind Quintet
Heinz Holliger: Quintet for piano and four wind players
October 23, 2001
Ljubljana, RTV Slovenia, Studio 14 – Festival Slowind 2001
Slowind Wind Quintet
Andrea Marchiol harpsichord
Programme:
Johann Sebastian Bach: French Suite No. 5 in G Major, BWV 816
Johann Sebastian Bach: Trio in D Minor, BWV 1036
Domenico Scarlatti: Sonata in C Major, L. 255
Domenico Scarlatti: Sonata in G Major, L. 286
Domenico Scarlatti: Sonata, L. 255 (arr. Dinu Lipatti)
Domenico Scarlatti: Sonata, L. 286 (arr. Dinu Lipatti)
György Ligeti: Passacaglia Ungherese
György Ligeti: Six BagatellesNovember 21, 2001
Ljubljana, RTV Slovenia, Studio 14 – Festival Slowind 2001
Slowind Wind Quintet
Mojca Zlobko-Vajgl harp
Programme:
Carlos Salzedo: Variations on a Theme in the Ancient Style, Op. 30
Ivo Petrić: Chamber Sonata No. 1 – … meditation and nocturne …
Sofia Gubaidulina: Garden of Joy and Sorrow
Claude Debussy: Sonata for flute, viola and harp
Joseph Weigl: Concertino for harp and windsDecember 12, 2001
Ljubljana, RTV Slovenia, Studio 14 – Festival Slowind 2001
Slowind Wind Quintet
conductor Bernhard Wulff
Programme:
Nicolaus A. Huber: Clash – Music
Bernhard Wulff: Abgesang einer Feldlerche
André Jolivet: Suite en Concert
Steve Reich: Music for Pieces of Wood
Olivier Messiaen: Oiseaux exotiques - FESTIVAL SLOWIND 2000
October 4, 2000
Ljubljana, Modern Gallery – Festival Slowind 2000
Slowind Wind Quintet
Arvid Engegård violin
Spored:
Wolfgang Amadeus Mozart: Divertimento in D Major, KV 251, “Nannerl -Septet”
Wolfgang Amadeus Mozart: Quartet in C Major, KV 285b (Anh. 171)
Ludwig van Beethoven: Septet in E flat Major, Op. 20October 24, 2000
Ljubljana, Modern Gallery – Festival Slowind 2000
Slowind Wind Quintet
Programme:
Črt Sojar Voglar: Wind Quintet No. 1, Op. 35 (world premiere)
Brina Zupančič: Štiri slike vetra (world premiere)
Danijel Tement: Abukalipto (world premiere)
Mihael Paš: Iz(z)ven (world premiere)
Vito Žuraj: In stilo orientale (world premiere)
Tadeja Vulc: Seqvitil (world premiere)November 8, 2000
Ljubljana, Modern Gallery – Festival Slowind 2000
Slowind Wind Quintet
Programme:
GIACINTO SCELSI:
Four Pieces for horn
Preghiera per un’ ombra za klarinet
Rucke di Guck for piccolo flute and oboe
Piccola Suite for flute and clarinet
Maknongan for contrabassoon
Hyxos for alto flute, 2 gongs and cow-bellNovember 21, 2000
Ljubljana, Modern Gallery – Festival Slowind 2000
Slowind Wind Quintet
Programme:
Gideon Klein: Divertimento for eight wind instruments
Wolfgang Amadeus Mozart: Serenade in B Major, KV 361 (370a), “Gran Partita” - FESTIVAL SLOWIND 1999
November 3, 1999
Ljubljana, Small Hall of Slovenian Philharmonic – Festival Slowind 1999
Slowind Wind Quintet
Programme:
“OLD”
Carl Heinrich Graun: Trio in D Major for oboe d’ amore, horn and bassoon
Franz Danzi: Quintet in F Major, Op. 68, No. 2
Antonín Rejcha: Quintet, Op. 88, No. 2
Paul Taffanel: Quintet in G MinorNovember 9, 1999
Ljubljana, Small Hall of Slovenian Philharmonic – Festival Slowind 1999
Slowind Wind Quintet
Nicola Bulfone bas klarinet
Programme:
“YOUNG”
Paul Hindemith: Kleine Kammermusik, Op. 24, No. 2
André Jolivet: Serenade
Leoš Janaček: Mladí
Heitor Villa-Lobos: Quintette en forme de ChôrosNovember 17, 1999
Ljubljana, Small Hall of Slovenian Philharmonic – Festival Slowind 1999
Slowind Wind Quintet
Programme:
“NEW”
György Ligeti: Ten Pieces
Diego Luzuriaga: Wind Quintet
Larisa Vrhunc: Celo
Vinko Globokar: Discours VIIIDecember 1, 1999
Ljubljana, Small Hall of Slovenian Philharmonic – Festival Slowind 1999
Slowind Wind Quintet
Aleksandar Madžar piano
Programme:
“SPECIAL”
Nicolaus A. Huber: First play Mozart
Wolfgang Amadeus Mozart: Quintet in E flat Major, KV 452
Wolfgang Amadeus Mozart: Sonata in B Major for piano and flute, KV 378 (317d)
Ludwig van Beethoven: Quintet in E flat Major, Op. 16